Creating Life: America’s Most Potent Editorial Force

The beginnings of a new media offer insight into how new forms thrive. Life is called the “biggest mass market hit in the history of publishing.” This study examines the social, technical, and cultural factors behind the first American pictorial and describes the period before Life’s 1936 launch and...

Full description

Saved in:
Bibliographic Details
Published in:Journalism & communication monographs 2016-06, Vol.18 (2), p.55-108
Main Author: Webb, Sheila M.
Format: Article
Language:English
Subjects:
Archives & records
Audiences
Authorship
Essays
Middle class
Success
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:The beginnings of a new media offer insight into how new forms thrive. Life is called the “biggest mass market hit in the history of publishing.” This study examines the social, technical, and cultural factors behind the first American pictorial and describes the period before Life’s 1936 launch and the decade after, the growth of visuals from 1900 to 1930, and the cultural role visuals played. By Life’s debut, the public was “visually oriented” to visuals with text, prepared to embrace a magazine based on news told via the photo-essay. The study describes how the magazine took shape, the impact of the premier issue, and the development of a visual ideology. This portrait of Life is based on primary materials, archival research, and contemporary accounts. Empirical data ground the analysis of the reasons for the eager adoption of Life and connect this success to the narrative framing in the photo-essays of middle-class and professional achievement.
ISSN:1522-6379
2161-4342
DOI:10.1177/1522637916639393