Angelin Preljocaj's Empty Moves (2014) and Transmodern Dance History

In this article, I examine the choreographic practices associated with French choreographer Angelin Preljocaj and his work, Empty Moves (Parts I, II & III), a three-part work informed by artistic hybridity and alterity. Through choreographic examples from Empty Moves, I examine the nascent state...

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Published in:Dance chronicle 2017-01, Vol.40 (1), p.99-114
Main Author: Farrugia-Kriel, Kathrina
Format: Article
Language:English
Subjects:
Angelin Preljocaj
Empty Moves
French contemporary dance
Modern dance
postmodern dance
Postmodernism
transmodernism
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description In this article, I examine the choreographic practices associated with French choreographer Angelin Preljocaj and his work, Empty Moves (Parts I, II & III), a three-part work informed by artistic hybridity and alterity. Through choreographic examples from Empty Moves, I examine the nascent state of transmodernism in dance, an artistic condition that implies a web of complex connections and interactions among dance histories and choreographic practices. In rethinking postmodern dance histories in the wake of recent theories of transmodernism, I conclude by offering a new framework for a dance paradigm and a reconsideration of selected canons of dance histories.
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source Taylor & Francis; JSTOR Archival Journals and Primary Sources Collection
subjects Angelin Preljocaj
Empty Moves
French contemporary dance
Modern dance
postmodern dance
Postmodernism
transmodernism
title Angelin Preljocaj's Empty Moves (2014) and Transmodern Dance History
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