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Music and the Ecology of Fear: Kanyeleng Women Performers and Ebola Prevention in The Gambia
This article examines the contributions of kanyeleng (female fertility society) performers to Ebola prevention in The Gambia, drawing on ethnographic research with performers and health workers, and offering analysis of performances. Contrasting with public-health programs that present African cultu...
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Published in: | Africa today 2017-03, Vol.63 (3), p.29-42 |
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description | This article examines the contributions of kanyeleng (female fertility society) performers to Ebola prevention in The Gambia, drawing on ethnographic research with performers and health workers, and offering analysis of performances. Contrasting with public-health programs that present African culture as an obstacle, kanyeleng performers' participation in Ebola prevention in The Gambia provides a model for more inclusive social mobilization and communication, grounded in cultural strengths. Involving community-based musicians such as kanyeleng in communication programs represents an important alternative to top-down approaches, which may reinforce fear and suspicion. To help audiences understand a foreign and unfamiliar disease, kanyeleng performers promote positive emotions of love and happiness over anger and fear. |
doi_str_mv | 10.2979/africatoday.63.3.03 |
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subjects | African culture AIDS Analysis Book publishing Communication Disease prevention Ebola virus Ecology Emotional expression Emotions Epidemics Ethnographic research Ethnography Fear Fear & phobias Females Fertility Happiness Health promotion Mobilization Music Musical performance Musicians Musicians & conductors Performance (Arts) Performing artists Positive emotions Prevention Preventive medicine Public health Training Women Women in the book industry |
title | Music and the Ecology of Fear: Kanyeleng Women Performers and Ebola Prevention in The Gambia |
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