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Suzan-Lori Parks's "Venus" and the Petrarchan Tradition
Venus reconfigures the Western view of love pioneered by Ovid, adapted by Petrarch, and perpetuated by Shakespeare and others. Parks appropriates this tradition to dismantle its gendered models of agency, which she shows influenced modern scientific thinking. If Venus is about a black woman whose ve...
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Published in: | Texas studies in literature and language 2017-06, Vol.59 (2), p.234-267 |
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container_title | Texas studies in literature and language |
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creator | VANHOUTTE, JACQUELINE |
description | Venus reconfigures the Western view of love pioneered by Ovid, adapted by Petrarch, and perpetuated by Shakespeare and others. Parks appropriates this tradition to dismantle its gendered models of agency, which she shows influenced modern scientific thinking. If Venus is about a black woman whose venerean corpse is dissected by the white men who love her, it is also by a black woman who resurrects the venerable corpus of the dead white men she loves. Ultimately, Parks returns to premodern poetry because it allows for creative interventions precluded by modern modes of knowing. |
doi_str_mv | 10.7560/TSLL59205 |
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source | EBSCOhost MLA International Bibliography With Full Text; JSTOR Archival Journals and Primary Sources Collection; Project Muse:Jisc Collections:Project MUSE Journals Agreement 2024:Premium Collection; ProQuest One Literature |
subjects | African American literature African Americans Allusion American literature Analysis Authorship Black literature Creativity Criticism and interpretation Drama Dramatists Italian literature Literary canon Literary influences Male gaze Mimesis Parks, Suzan-Lori Petrarca, Francesco, 1304-1374 Petrarchism Playwrights Plot (Narrative) Poetry Science Shakespeare, William (1564-1616) Sidney, Philip (1554-1586) Source studies Traditions White people Women Womens literature Works Writers |
title | Suzan-Lori Parks's "Venus" and the Petrarchan Tradition |
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