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‘Disjointed days’: Contemporary art and the human right to housing
The human right to housing has a strange status in law, simultaneously codified in a number of international conventions and severely criticized, misunderstood or misinterpreted. This article considers two artistic views on the value of the human right to housing: Martha Rosler’s ‘If You Lived Here....
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Published in: | Journal of arts and communities 2016-10, Vol.8 (1-2), p.93-105 |
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container_title | Journal of arts and communities |
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creator | Marquis, Vincent |
description | The human right to housing has a strange status in law, simultaneously codified in a number of international conventions and severely criticized, misunderstood or misinterpreted. This article considers two artistic views on the value of the human right to housing: Martha Rosler’s ‘If You Lived Here...’ and Casco’s recent projects on housing, gentrification and squatting, including the sitcom Our Autonomous Life? and the Convention on the Use of Space. I argue that examining the particular social contexts and the specific content of the claims made by these artists – notably the importance of housing to privacy, autonomy and freedom – illuminates a promising path forward for the right’s legal interpretation and protection. |
doi_str_mv | 10.1386/jaac.8.1-2.93_1 |
format | article |
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issn | 1757-1936 1757-1944 |
language | eng |
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source | EBSCOhost Art & Architecture Source - eBooks; ARTbibliographies Modern |
subjects | Contemporary art home Housing Human rights International law Rosler, Martha spatial critique |
title | ‘Disjointed days’: Contemporary art and the human right to housing |
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