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To Look: The Scene of the Seen in Edward Hopper
Edward Hopper's Bridge in Paris, painted during his early stay in France, offers the spectator a view of, but not into, the semicircular darkness dominating the center of the canvas. Some views of Hopper are not wrong; they are only inadequate to the modalities of his art.
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Published in: | The South Atlantic quarterly 2004, Vol.103 (1), p.133-148 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that this one cites Items that cite this one |
Online Access: | Get full text |
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Summary: | Edward Hopper's Bridge in Paris, painted during his early stay in France, offers the spectator a view of, but not into, the semicircular darkness dominating the center of the canvas. Some views of Hopper are not wrong; they are only inadequate to the modalities of his art. |
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ISSN: | 0038-2876 1527-8026 |
DOI: | 10.1215/00382876-103-1-133 |