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Not a Stupid White Man: The Democratic Context of Michael Moore's Documentaries
The author presents the award-winning director Michael Moore as a social phenomenon. His controversial documentary works and public speeches are shown in the context of American democracy. Moore's output is seen through the prism of cultural hegemony as described by Gramsci.
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Published in: | The journal of popular film and television 2005-10, Vol.33 (3), p.160-168 |
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container_end_page | 168 |
container_issue | 3 |
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container_title | The journal of popular film and television |
container_volume | 33 |
creator | Misiak, Anna |
description | The author presents the award-winning director Michael Moore as a social phenomenon. His controversial documentary works and public speeches are shown in the context of American democracy. Moore's output is seen through the prism of cultural hegemony as described by Gramsci. |
doi_str_mv | 10.3200/JPFT.33.4.160-168 |
format | article |
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issn | 0195-6051 1930-6458 |
language | eng |
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source | Taylor & Francis; EBSCOhost Art & Architecture Source; ProQuest One Literature |
subjects | Context Democracy documentary Documentary films Entertainment Industry Influence Michael Moore Moore, Michael (filmmaker) Motion picture directors & producers Motion picture industry political discourse Politics Social conditions & trends Social history |
title | Not a Stupid White Man: The Democratic Context of Michael Moore's Documentaries |
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