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Athens, Jerusalem, Mecca: Leo Strauss's "Muslim" Understanding of Greek Philosophy
The contrast "Athens vs. Jerusalem" played a major part in the late work of Leo Strauss (1899-1973). His scholarly career, from the outset, can be described as a motion from Jerusalem (Spinoza, Maimonides) to Athens (Plato, Xenophon). Nevertheless, a third city, Mecca, and what it stands f...
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Published in: | Poetics today 1998-07, Vol.19 (2), p.235-259 |
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description | The contrast "Athens vs. Jerusalem" played a major part in the late work of Leo Strauss (1899-1973). His scholarly career, from the outset, can be described as a motion from Jerusalem (Spinoza, Maimonides) to Athens (Plato, Xenophon). Nevertheless, a third city, Mecca, and what it stands for, unspokenly synthesizes the first two. For instance, Strauss's interpretation of Plato is grounded on Farabi's view of philosophical style. His rediscovery of esotericism-that is, of the possibility of a silent oral teaching-depends on an Islamic conception of Revelation, which opposes the Christian one: Athens and Jerusalem meet in Mecca, but they are at loggerheads in Rome. |
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subjects | Ancient civilizations Aristotelianism Bible Esotericism Greek language Islamic philosophy Judaism Medieval philosophy Modern Genealogies and Deployment Muslims Philosophy Platonism Poetics Socratic philosophy Strauss, Leo |
title | Athens, Jerusalem, Mecca: Leo Strauss's "Muslim" Understanding of Greek Philosophy |
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