Attention but not musical training affects auditory streaming

• Published in: arXiv.org 2017-08
• Main Authors: Sauvé, Sarah A, Pearce, Marcus T
• Format: Article
• Language: English
• Subjects: Auditory tasks; Change detection; Experiments; Perception; Performance indices; Rhythm; Training
• ISSN: 2331-8422

While musicians generally perform better than non-musicians in various auditory discrimination tasks, effects of specific instrumental training have received little attention. The effects of instrument-specific musical training on auditory grouping in the context of stream segregation are investigated here in three experiments. In Experiment 1a, participants listened to sequences of ABA tones and indicated when they heard a change in rhythm. This change is caused by the manipulation of the B tones' timbre and indexes a change in perception from integration to segregation, or vice versa. While it was expected that musicians would detect a change in rhythm earlier when their own instrument was involved, no such pattern was observed. In Experiment 1b, designed to control for potential expectation effects in Experiment 1a, participants heard sequences of static ABA tones and reported their initial perceptions, whether the sequence was integrated or segregated. Results show that participants tend to initially perceive these static sequences as segregated, and that perception is influenced by similarity between the timbres involved. Finally, in Experiment 2 violinists and flautists located mistuned notes in an interleaved melody paradigm containing a violin and a flute melody. Performance did not depend on the instrument the participant played but rather which melody their attention was directed to. Taken together, results from the three experiments suggest that the specific instrument one practices does not have an influence on auditory grouping, but attentional mechanisms are necessary for processing auditory scenes.