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"I'M IN THE BUSINESS TOO": GOTHIC CHIVALRY, PRIVATE EYES, AND PROXY SEX AND VIOLENCE IN CHANDLER'S "THE BIG SLEEP"
Rzepka argues that the American private eye, such as in the detective novels of Raymond Chandler, is a representation of the cowboy-figure, with one foot in the world of the savage and the other in civilization. Chandler's "The Big Sleep" uses Gothic convention to take aim at the Amer...
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Published in: | Modern fiction studies 2000-10, Vol.46 (3), p.695-724 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that cite this one |
Online Access: | Get full text |
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Summary: | Rzepka argues that the American private eye, such as in the detective novels of Raymond Chandler, is a representation of the cowboy-figure, with one foot in the world of the savage and the other in civilization. Chandler's "The Big Sleep" uses Gothic convention to take aim at the American culture of consumption. |
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ISSN: | 0026-7724 1080-658X 1080-658X |
DOI: | 10.1353/mfs.2000.0057 |