Loading…
The Dyad System (Parts Two and Three)
Describes the Dyad System, which fully integrates pitch and electronically generated timbre, making them functionally interdependent. States that this interdependence suggests that different elements dominate the compositional process at different times during the course of the work. Presents the Ge...
Saved in:
Published in: | Perspectives of new music 1999-07, Vol.37 (2), p.189-230 |
---|---|
Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Online Access: | Get full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
cited_by | |
---|---|
cites | |
container_end_page | 230 |
container_issue | 2 |
container_start_page | 189 |
container_title | Perspectives of new music |
container_volume | 37 |
creator | Dashow, James |
description | Describes the Dyad System, which fully integrates pitch and electronically generated timbre, making them functionally interdependent. States that this interdependence suggests that different elements dominate the compositional process at different times during the course of the work. Presents the Generating Dyad procedures in terse form and describes in detail the Dyad System approach to additive synthesis. Addresses frequency modulation, ring modulation, and foldover. Gives examples to demonstrate specific applications of the Dyad System, for both instrumental music and music for instrumentalists with electronic sounds. Includes notes, diagrams, charts, and a discography. |
doi_str_mv | 10.2307/833515 |
format | article |
fullrecord | <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_journals_211147526</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A74455574</galeid><jstor_id>833515</jstor_id><sourcerecordid>A74455574</sourcerecordid><originalsourceid>FETCH-LOGICAL-c2146-1282f4aadc3b8ef4790e9ff1b7b27dbcd9e491694245c32921f0f8dabd78e2d53</originalsourceid><addsrcrecordid>eNp10dtKw0AQBuBFFKxVnyEoioLRnT1ks5elHqGgYLwOm-xsm9ImdTdF-vamRPCmZS4Gho8Zhp-Qc6D3jFP1kHIuQR6QAeNMxgpSekgGlHKIEwrJMTkJYU4pBSXkgFxlM4weN8ZGn5vQ4jK6-TC-DVH200SmtlE284i3p-TImUXAs78-JF_PT9n4NZ68v7yNR5O4ZCCSGFjKnDDGlrxI0QmlKWrnoFAFU7YorUahIdGCCVlyphk46lJrCqtSZFbyIbno9658873G0ObzZu3r7mTOAEAoyZIOXe5DwHRKdcIpdCraqyDVwERH7noyNQvMq9o1rTflFGv0ZtHU6KpuPFJCSCnVlsc7eFcWl1W5y1_3vvRNCB5dvvLV0vhNDjTfJpX3Sf0_NA9t4_epXyXripc</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1189124</pqid></control><display><type>article</type><title>The Dyad System (Parts Two and Three)</title><source>ProQuest One Literature</source><source>JSTOR</source><creator>Dashow, James</creator><creatorcontrib>Dashow, James</creatorcontrib><description>Describes the Dyad System, which fully integrates pitch and electronically generated timbre, making them functionally interdependent. States that this interdependence suggests that different elements dominate the compositional process at different times during the course of the work. Presents the Generating Dyad procedures in terse form and describes in detail the Dyad System approach to additive synthesis. Addresses frequency modulation, ring modulation, and foldover. Gives examples to demonstrate specific applications of the Dyad System, for both instrumental music and music for instrumentalists with electronic sounds. Includes notes, diagrams, charts, and a discography.</description><identifier>ISSN: 0031-6016</identifier><identifier>EISSN: 2325-7180</identifier><identifier>DOI: 10.2307/833515</identifier><identifier>CODEN: PNMUB5</identifier><language>eng</language><publisher>Annandale-on-Hudson, N. Y: Perspectives of New Music, Inc</publisher><subject>Additive synthesis ; Algorithms ; Analysis ; Audio frequencies ; Composing ; Composition (Music) ; Computer music ; Dyadic relations ; Electronic Music ; Frequency Modulation ; Instrumental Music ; Integers ; Methods ; Musical intervals ; Musicology ; Oscillators ; Overtones ; Pianos ; Pitch (Acoustics) ; Ring Modulators (Sound Processing) ; Sidebands ; Sound design ; Sound pitch ; Sound Processing ; Sound Synthesis ; Timbre</subject><ispartof>Perspectives of new music, 1999-07, Vol.37 (2), p.189-230</ispartof><rights>Copyright 1999 Perspectives of New Music, Inc.</rights><rights>COPYRIGHT 1999 Perspectives of New Music</rights><rights>Copyright Perspectives of New Music Summer 1999</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.proquest.com/docview/211147526/fulltextPDF?pq-origsite=primo$$EPDF$$P50$$Gproquest$$H</linktopdf><linktohtml>$$Uhttps://www.proquest.com/docview/1298096301?pq-origsite=primo$$EHTML$$P50$$Gproquest$$H</linktohtml><link.rule.ids>314,780,784,27923,27924,58237,58470,62660,62661,62676,74067</link.rule.ids></links><search><creatorcontrib>Dashow, James</creatorcontrib><title>The Dyad System (Parts Two and Three)</title><title>Perspectives of new music</title><description>Describes the Dyad System, which fully integrates pitch and electronically generated timbre, making them functionally interdependent. States that this interdependence suggests that different elements dominate the compositional process at different times during the course of the work. Presents the Generating Dyad procedures in terse form and describes in detail the Dyad System approach to additive synthesis. Addresses frequency modulation, ring modulation, and foldover. Gives examples to demonstrate specific applications of the Dyad System, for both instrumental music and music for instrumentalists with electronic sounds. Includes notes, diagrams, charts, and a discography.</description><subject>Additive synthesis</subject><subject>Algorithms</subject><subject>Analysis</subject><subject>Audio frequencies</subject><subject>Composing</subject><subject>Composition (Music)</subject><subject>Computer music</subject><subject>Dyadic relations</subject><subject>Electronic Music</subject><subject>Frequency Modulation</subject><subject>Instrumental Music</subject><subject>Integers</subject><subject>Methods</subject><subject>Musical intervals</subject><subject>Musicology</subject><subject>Oscillators</subject><subject>Overtones</subject><subject>Pianos</subject><subject>Pitch (Acoustics)</subject><subject>Ring Modulators (Sound Processing)</subject><subject>Sidebands</subject><subject>Sound design</subject><subject>Sound pitch</subject><subject>Sound Processing</subject><subject>Sound Synthesis</subject><subject>Timbre</subject><issn>0031-6016</issn><issn>2325-7180</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1999</creationdate><recordtype>article</recordtype><sourceid>AIMQZ</sourceid><recordid>eNp10dtKw0AQBuBFFKxVnyEoioLRnT1ks5elHqGgYLwOm-xsm9ImdTdF-vamRPCmZS4Gho8Zhp-Qc6D3jFP1kHIuQR6QAeNMxgpSekgGlHKIEwrJMTkJYU4pBSXkgFxlM4weN8ZGn5vQ4jK6-TC-DVH200SmtlE284i3p-TImUXAs78-JF_PT9n4NZ68v7yNR5O4ZCCSGFjKnDDGlrxI0QmlKWrnoFAFU7YorUahIdGCCVlyphk46lJrCqtSZFbyIbno9658873G0ObzZu3r7mTOAEAoyZIOXe5DwHRKdcIpdCraqyDVwERH7noyNQvMq9o1rTflFGv0ZtHU6KpuPFJCSCnVlsc7eFcWl1W5y1_3vvRNCB5dvvLV0vhNDjTfJpX3Sf0_NA9t4_epXyXripc</recordid><startdate>19990701</startdate><enddate>19990701</enddate><creator>Dashow, James</creator><general>Perspectives of New Music, Inc</general><general>Perspectives of New Music</general><general>Perspectives of New Music, Inc., etc</general><scope>AAYXX</scope><scope>CITATION</scope><scope>A3D</scope><scope>AVQMV</scope><scope>DJMCT</scope><scope>0R3</scope><scope>ABKTN</scope><scope>HAGHG</scope><scope>HYQOX</scope><scope>HZAIM</scope><scope>JSICY</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>~OC</scope><scope>3V.</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AZQEC</scope><scope>BEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>LIQON</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PADUT</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope><scope>S0X</scope></search><sort><creationdate>19990701</creationdate><title>The Dyad System (Parts Two and Three)</title><author>Dashow, James</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c2146-1282f4aadc3b8ef4790e9ff1b7b27dbcd9e491694245c32921f0f8dabd78e2d53</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1999</creationdate><topic>Additive synthesis</topic><topic>Algorithms</topic><topic>Analysis</topic><topic>Audio frequencies</topic><topic>Composing</topic><topic>Composition (Music)</topic><topic>Computer music</topic><topic>Dyadic relations</topic><topic>Electronic Music</topic><topic>Frequency Modulation</topic><topic>Instrumental Music</topic><topic>Integers</topic><topic>Methods</topic><topic>Musical intervals</topic><topic>Musicology</topic><topic>Oscillators</topic><topic>Overtones</topic><topic>Pianos</topic><topic>Pitch (Acoustics)</topic><topic>Ring Modulators (Sound Processing)</topic><topic>Sidebands</topic><topic>Sound design</topic><topic>Sound pitch</topic><topic>Sound Processing</topic><topic>Sound Synthesis</topic><topic>Timbre</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Dashow, James</creatorcontrib><collection>CrossRef</collection><collection>Music Periodicals Database</collection><collection>Arts Premium Collection</collection><collection>Music & Performing Arts Collection</collection><collection>PAO Collection 1</collection><collection>Periodicals Archive Online JSTOR Titles</collection><collection>Periodicals Index Online Segment 12</collection><collection>ProQuest Historical Periodicals</collection><collection>Periodicals Index Online Segment 26</collection><collection>Periodicals Index Online Segment 36</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>Periodicals Archive Online Collection 1</collection><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central</collection><collection>ProQuest One Literature</collection><collection>ProQuest Central Essentials</collection><collection>eLibrary</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>ProQuest research library</collection><collection>Research Library (Corporate)</collection><collection>Research Library China</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection><collection>SIRS Editorial</collection><jtitle>Perspectives of new music</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Dashow, James</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The Dyad System (Parts Two and Three)</atitle><jtitle>Perspectives of new music</jtitle><date>1999-07-01</date><risdate>1999</risdate><volume>37</volume><issue>2</issue><spage>189</spage><epage>230</epage><pages>189-230</pages><issn>0031-6016</issn><eissn>2325-7180</eissn><coden>PNMUB5</coden><abstract>Describes the Dyad System, which fully integrates pitch and electronically generated timbre, making them functionally interdependent. States that this interdependence suggests that different elements dominate the compositional process at different times during the course of the work. Presents the Generating Dyad procedures in terse form and describes in detail the Dyad System approach to additive synthesis. Addresses frequency modulation, ring modulation, and foldover. Gives examples to demonstrate specific applications of the Dyad System, for both instrumental music and music for instrumentalists with electronic sounds. Includes notes, diagrams, charts, and a discography.</abstract><cop>Annandale-on-Hudson, N. Y</cop><pub>Perspectives of New Music, Inc</pub><doi>10.2307/833515</doi><tpages>42</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0031-6016 |
ispartof | Perspectives of new music, 1999-07, Vol.37 (2), p.189-230 |
issn | 0031-6016 2325-7180 |
language | eng |
recordid | cdi_proquest_journals_211147526 |
source | ProQuest One Literature; JSTOR |
subjects | Additive synthesis Algorithms Analysis Audio frequencies Composing Composition (Music) Computer music Dyadic relations Electronic Music Frequency Modulation Instrumental Music Integers Methods Musical intervals Musicology Oscillators Overtones Pianos Pitch (Acoustics) Ring Modulators (Sound Processing) Sidebands Sound design Sound pitch Sound Processing Sound Synthesis Timbre |
title | The Dyad System (Parts Two and Three) |
url | http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-08T12%3A35%3A59IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The%20Dyad%20System%20(Parts%20Two%20and%20Three)&rft.jtitle=Perspectives%20of%20new%20music&rft.au=Dashow,%20James&rft.date=1999-07-01&rft.volume=37&rft.issue=2&rft.spage=189&rft.epage=230&rft.pages=189-230&rft.issn=0031-6016&rft.eissn=2325-7180&rft.coden=PNMUB5&rft_id=info:doi/10.2307/833515&rft_dat=%3Cgale_proqu%3EA74455574%3C/gale_proqu%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-c2146-1282f4aadc3b8ef4790e9ff1b7b27dbcd9e491694245c32921f0f8dabd78e2d53%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=1189124&rft_id=info:pmid/&rft_galeid=A74455574&rft_jstor_id=833515&rfr_iscdi=true |