Loading…

The Subject of Money: Late-Victorian Melodrama's Crisis of Masculinity

This article focuses on the relationship between male suffering and economics in two late-Victorian melodramas, Henry Arthur Jones's "The Silver King" and Arthur Wing Pinero's "Sweet Lavender". Both plays express contemporary anxieties about the stability of privileged...

Full description

Saved in:
Bibliographic Details
Published in:Victorian studies 2007-06, Vol.49 (4), p.635-657
Main Author: Guest, Kristen
Format: Article
Language:English
Subjects:
Citations: Items that this one cites
Items that cite this one
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
cited_by cdi_FETCH-LOGICAL-c613t-ce93bd3591eefa74900d9dffb92ec5d8cbf5a0a203c01af604b3afc1c092e5983
cites cdi_FETCH-LOGICAL-c613t-ce93bd3591eefa74900d9dffb92ec5d8cbf5a0a203c01af604b3afc1c092e5983
container_end_page 657
container_issue 4
container_start_page 635
container_title Victorian studies
container_volume 49
creator Guest, Kristen
description This article focuses on the relationship between male suffering and economics in two late-Victorian melodramas, Henry Arthur Jones's "The Silver King" and Arthur Wing Pinero's "Sweet Lavender". Both plays express contemporary anxieties about the stability of privileged male identity, offering narratives of masculine progress that affirm the superiority of moral, domestic values over economic ones while concomitantly making visible the imperative demands of the marketplace. This conflict between the domestic and economic spheres is expressed in the ailing bodies of the victimized male protagonists, whose physical incapacities suggest the limited ability of the male subject to manage the systemic contradictions that threaten the coherence of the domestic sphere. The suffering male body in late-Victorian melodrama thus emphasizes the problematic relationship between identity and money as well as the complicity of domesticity in the economic sphere to which it is nominally opposed.
doi_str_mv 10.2979/VIC.2007.49.4.635
format article
fullrecord <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_journals_212031423</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A175350399</galeid><jstor_id>4626371</jstor_id><sourcerecordid>A175350399</sourcerecordid><originalsourceid>FETCH-LOGICAL-c613t-ce93bd3591eefa74900d9dffb92ec5d8cbf5a0a203c01af604b3afc1c092e5983</originalsourceid><addsrcrecordid>eNqNkl1r2zAUhs3YYFm3HzAYzOxm7MLe0Vcc7a6YtQ0k60W67lLI8lGm4NitZMPy7yfPpTRQRtCFkHheHXHOkyTvCeRUFvLr7bLMKUCRc5nzfM7Ei2RGBC0yCoK-TGYAnGaCUvo6eRPCDuKZA58lFze_Md0M1Q5Nn3Y2XXctHr6lK91jdutM33mn23SNTVd7vdefQ1p6F1z4x-pghsa1rj-8TV5Z3QR897CfJT8vvt-UV9nq-nJZnq8yMyeszwxKVtVMSIJodcElQC1raytJ0Yh6YSorNGgKzADRdg68YtoaYiACQi7YWfJpevfOd_cDhl7tusG3saSiJMYIpyxCHydoqxtUjTdbPYSgzkkhmAAmZSSyJ4Rrbdd7bbbYotdN7IB18fqIz5_h46px78yzgS9Hgcj0-KefPrLc_DidXf86nb1answuLlf_a8gDa7qmwS2qOMPy-pgnE298F4JHq-6822t_UATUKKSKQqpRSMWl4ioKGTP8cXajbvsh4JPxMUqYVJtR2tFZKDjEFI2xD1NsF6KNj3X4nM5ZQdhfTuvlPA</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>212031423</pqid></control><display><type>article</type><title>The Subject of Money: Late-Victorian Melodrama's Crisis of Masculinity</title><source>EBSCOhost MLA International Bibliography With Full Text</source><source>EBSCOhost Art &amp; Architecture Source - eBooks</source><source>Art, Design and Architecture Collection</source><source>JSTOR Archival Journals and Primary Sources Collection</source><source>Project Muse:Jisc Collections:Project MUSE Journals Agreement 2024:Premium Collection</source><source>ProQuest One Literature</source><creator>Guest, Kristen</creator><creatorcontrib>Guest, Kristen</creatorcontrib><description>This article focuses on the relationship between male suffering and economics in two late-Victorian melodramas, Henry Arthur Jones's "The Silver King" and Arthur Wing Pinero's "Sweet Lavender". Both plays express contemporary anxieties about the stability of privileged male identity, offering narratives of masculine progress that affirm the superiority of moral, domestic values over economic ones while concomitantly making visible the imperative demands of the marketplace. This conflict between the domestic and economic spheres is expressed in the ailing bodies of the victimized male protagonists, whose physical incapacities suggest the limited ability of the male subject to manage the systemic contradictions that threaten the coherence of the domestic sphere. The suffering male body in late-Victorian melodrama thus emphasizes the problematic relationship between identity and money as well as the complicity of domesticity in the economic sphere to which it is nominally opposed.</description><identifier>ISSN: 0042-5222</identifier><identifier>EISSN: 1527-2052</identifier><identifier>DOI: 10.2979/VIC.2007.49.4.635</identifier><identifier>CODEN: VICSAD</identifier><language>eng</language><publisher>Bloomington: Indiana University Press</publisher><subject>Analysis ; Bank failures ; Bank management ; Business ethics ; Capitalism ; Changes ; Economic value ; Economics ; Joint stock companies ; Male identity ; Males ; Masculinity ; Melodrama ; Morality ; Novels ; Silver ; Theater ; Victorians ; Villains</subject><ispartof>Victorian studies, 2007-06, Vol.49 (4), p.635-657</ispartof><rights>Copyright 2007 The Trustees of Indiana University</rights><rights>Copyright © 2007 The Trustees of Indiana University.</rights><rights>COPYRIGHT 2007 Indiana University Press</rights><rights>Copyright Indiana University Press Summer 2007</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c613t-ce93bd3591eefa74900d9dffb92ec5d8cbf5a0a203c01af604b3afc1c092e5983</citedby><cites>FETCH-LOGICAL-c613t-ce93bd3591eefa74900d9dffb92ec5d8cbf5a0a203c01af604b3afc1c092e5983</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/4626371$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.proquest.com/docview/212031423?pq-origsite=primo$$EHTML$$P50$$Gproquest$$H</linktohtml><link.rule.ids>314,776,780,12840,27901,27902,34752,44176,58213,58446,62634,62635,62650</link.rule.ids></links><search><creatorcontrib>Guest, Kristen</creatorcontrib><title>The Subject of Money: Late-Victorian Melodrama's Crisis of Masculinity</title><title>Victorian studies</title><addtitle>Victorian Studies</addtitle><description>This article focuses on the relationship between male suffering and economics in two late-Victorian melodramas, Henry Arthur Jones's "The Silver King" and Arthur Wing Pinero's "Sweet Lavender". Both plays express contemporary anxieties about the stability of privileged male identity, offering narratives of masculine progress that affirm the superiority of moral, domestic values over economic ones while concomitantly making visible the imperative demands of the marketplace. This conflict between the domestic and economic spheres is expressed in the ailing bodies of the victimized male protagonists, whose physical incapacities suggest the limited ability of the male subject to manage the systemic contradictions that threaten the coherence of the domestic sphere. The suffering male body in late-Victorian melodrama thus emphasizes the problematic relationship between identity and money as well as the complicity of domesticity in the economic sphere to which it is nominally opposed.</description><subject>Analysis</subject><subject>Bank failures</subject><subject>Bank management</subject><subject>Business ethics</subject><subject>Capitalism</subject><subject>Changes</subject><subject>Economic value</subject><subject>Economics</subject><subject>Joint stock companies</subject><subject>Male identity</subject><subject>Males</subject><subject>Masculinity</subject><subject>Melodrama</subject><subject>Morality</subject><subject>Novels</subject><subject>Silver</subject><subject>Theater</subject><subject>Victorians</subject><subject>Villains</subject><issn>0042-5222</issn><issn>1527-2052</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2007</creationdate><recordtype>article</recordtype><sourceid>AIMQZ</sourceid><sourceid>K50</sourceid><sourceid>M1D</sourceid><recordid>eNqNkl1r2zAUhs3YYFm3HzAYzOxm7MLe0Vcc7a6YtQ0k60W67lLI8lGm4NitZMPy7yfPpTRQRtCFkHheHXHOkyTvCeRUFvLr7bLMKUCRc5nzfM7Ei2RGBC0yCoK-TGYAnGaCUvo6eRPCDuKZA58lFze_Md0M1Q5Nn3Y2XXctHr6lK91jdutM33mn23SNTVd7vdefQ1p6F1z4x-pghsa1rj-8TV5Z3QR897CfJT8vvt-UV9nq-nJZnq8yMyeszwxKVtVMSIJodcElQC1raytJ0Yh6YSorNGgKzADRdg68YtoaYiACQi7YWfJpevfOd_cDhl7tusG3saSiJMYIpyxCHydoqxtUjTdbPYSgzkkhmAAmZSSyJ4Rrbdd7bbbYotdN7IB18fqIz5_h46px78yzgS9Hgcj0-KefPrLc_DidXf86nb1answuLlf_a8gDa7qmwS2qOMPy-pgnE298F4JHq-6822t_UATUKKSKQqpRSMWl4ioKGTP8cXajbvsh4JPxMUqYVJtR2tFZKDjEFI2xD1NsF6KNj3X4nM5ZQdhfTuvlPA</recordid><startdate>20070622</startdate><enddate>20070622</enddate><creator>Guest, Kristen</creator><general>Indiana University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>8GL</scope><scope>IHI</scope><scope>IMW</scope><scope>ISN</scope><scope>ILR</scope><scope>3V.</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>CLO</scope><scope>DWQXO</scope><scope>GB0</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>K50</scope><scope>LIQON</scope><scope>M1D</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PAF</scope><scope>PPXUT</scope><scope>PQEST</scope><scope>PQHSC</scope><scope>PQLNA</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>PROLI</scope><scope>Q9U</scope></search><sort><creationdate>20070622</creationdate><title>The Subject of Money: Late-Victorian Melodrama's Crisis of Masculinity</title><author>Guest, Kristen</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c613t-ce93bd3591eefa74900d9dffb92ec5d8cbf5a0a203c01af604b3afc1c092e5983</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2007</creationdate><topic>Analysis</topic><topic>Bank failures</topic><topic>Bank management</topic><topic>Business ethics</topic><topic>Capitalism</topic><topic>Changes</topic><topic>Economic value</topic><topic>Economics</topic><topic>Joint stock companies</topic><topic>Male identity</topic><topic>Males</topic><topic>Masculinity</topic><topic>Melodrama</topic><topic>Morality</topic><topic>Novels</topic><topic>Silver</topic><topic>Theater</topic><topic>Victorians</topic><topic>Villains</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Guest, Kristen</creatorcontrib><collection>CrossRef</collection><collection>Gale In Context: High School</collection><collection>Gale In Context: U.S. History</collection><collection>Gale In Context: World History</collection><collection>Gale In Context: Canada</collection><collection>Gale Literature Resource Center</collection><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni)</collection><collection>ProQuest Central</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>eLibrary</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Literature Online Core (LION Core) (legacy)</collection><collection>ProQuest Central</collection><collection>DELNET Social Sciences &amp; Humanities Collection</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Art, Design and Architecture Collection</collection><collection>One Literature (ProQuest)</collection><collection>Arts &amp; Humanities Database</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest Learning: Literature</collection><collection>Literature Online Premium (LION Premium) (legacy)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>History Study Center</collection><collection>Literature Online (LION) - US Customers Only</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>Literature Online (LION)</collection><collection>ProQuest Central Basic</collection><jtitle>Victorian studies</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Guest, Kristen</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The Subject of Money: Late-Victorian Melodrama's Crisis of Masculinity</atitle><jtitle>Victorian studies</jtitle><addtitle>Victorian Studies</addtitle><date>2007-06-22</date><risdate>2007</risdate><volume>49</volume><issue>4</issue><spage>635</spage><epage>657</epage><pages>635-657</pages><issn>0042-5222</issn><eissn>1527-2052</eissn><coden>VICSAD</coden><abstract>This article focuses on the relationship between male suffering and economics in two late-Victorian melodramas, Henry Arthur Jones's "The Silver King" and Arthur Wing Pinero's "Sweet Lavender". Both plays express contemporary anxieties about the stability of privileged male identity, offering narratives of masculine progress that affirm the superiority of moral, domestic values over economic ones while concomitantly making visible the imperative demands of the marketplace. This conflict between the domestic and economic spheres is expressed in the ailing bodies of the victimized male protagonists, whose physical incapacities suggest the limited ability of the male subject to manage the systemic contradictions that threaten the coherence of the domestic sphere. The suffering male body in late-Victorian melodrama thus emphasizes the problematic relationship between identity and money as well as the complicity of domesticity in the economic sphere to which it is nominally opposed.</abstract><cop>Bloomington</cop><pub>Indiana University Press</pub><doi>10.2979/VIC.2007.49.4.635</doi><tpages>23</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0042-5222
ispartof Victorian studies, 2007-06, Vol.49 (4), p.635-657
issn 0042-5222
1527-2052
language eng
recordid cdi_proquest_journals_212031423
source EBSCOhost MLA International Bibliography With Full Text; EBSCOhost Art & Architecture Source - eBooks; Art, Design and Architecture Collection; JSTOR Archival Journals and Primary Sources Collection; Project Muse:Jisc Collections:Project MUSE Journals Agreement 2024:Premium Collection; ProQuest One Literature
subjects Analysis
Bank failures
Bank management
Business ethics
Capitalism
Changes
Economic value
Economics
Joint stock companies
Male identity
Males
Masculinity
Melodrama
Morality
Novels
Silver
Theater
Victorians
Villains
title The Subject of Money: Late-Victorian Melodrama's Crisis of Masculinity
url http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-03T02%3A54%3A33IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The%20Subject%20of%20Money:%20Late-Victorian%20Melodrama's%20Crisis%20of%20Masculinity&rft.jtitle=Victorian%20studies&rft.au=Guest,%20Kristen&rft.date=2007-06-22&rft.volume=49&rft.issue=4&rft.spage=635&rft.epage=657&rft.pages=635-657&rft.issn=0042-5222&rft.eissn=1527-2052&rft.coden=VICSAD&rft_id=info:doi/10.2979/VIC.2007.49.4.635&rft_dat=%3Cgale_proqu%3EA175350399%3C/gale_proqu%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-c613t-ce93bd3591eefa74900d9dffb92ec5d8cbf5a0a203c01af604b3afc1c092e5983%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=212031423&rft_id=info:pmid/&rft_galeid=A175350399&rft_jstor_id=4626371&rfr_iscdi=true