Sizwe Banzi Is Dead

[...] the play employs the trope of the smile as the physical expression of infectiously joyous human connection-but also as the rigid social mask of the subordinated.

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Published in:Theatre journal (Washington, D.C.) D.C.), 2008-12, Vol.60 (4), p.659-661
Main Authors: Sebesta, Judith A., Larlham, Daniel
Format: Article
Language:English
Subjects:
Fugard, Athol
Kani, John
Ntshona, Winston
Performance Review
Theater
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container_title Theatre journal (Washington, D.C.)
container_volume 60
creator Sebesta, Judith A.
Larlham, Daniel
description [...] the play employs the trope of the smile as the physical expression of infectiously joyous human connection-but also as the rigid social mask of the subordinated.
doi_str_mv 10.1353/tj.0.0113
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identifier ISSN: 0192-2882
ispartof Theatre journal (Washington, D.C.), 2008-12, Vol.60 (4), p.659-661
issn 0192-2882
1086-332X
1086-332X
language eng
recordid cdi_proquest_journals_216057674
source EBSCOhost MLA International Bibliography With Full Text; Project Muse:Jisc Collections:Project MUSE Journals Agreement 2024:Premium Collection; ProQuest One Literature; JSTOR
subjects Fugard, Athol
Kani, John
Ntshona, Winston
Performance Review
Theater
title Sizwe Banzi Is Dead
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