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"DIALOGUE WITH A MAESTRO":1 AN INTERVIEW WITH ERIC TING ADAPTER AND DIRECTOR OF A PRODUCTION OF THE THE OLD MAN AND THE SEA
In the night scenes on the Straits of Florida, tiny fiberoptic stars appeared across the stage, and during the powerfully choreographed memory of the tavern in Casablanca, the lights cast a massive shadow of the opponent onto the backdrop. Which is, in its way, how The Old Man and the Sea becomes a...
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Published in: | The Hemingway review 2009-10, Vol.29 (1), p.152 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Online Access: | Get full text |
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Summary: | In the night scenes on the Straits of Florida, tiny fiberoptic stars appeared across the stage, and during the powerfully choreographed memory of the tavern in Casablanca, the lights cast a massive shadow of the opponent onto the backdrop. Which is, in its way, how The Old Man and the Sea becomes a metaphor of life. Because we go so far, and, at the end, what do we have to show for it? |
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ISSN: | 0276-3362 1548-4815 |