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Mourning and Subjectivity: From Bersani to Proust, Klein, and Freud
Jacques derrida made a similar move in 2003 when he dropped his guard, abandoning the language of critical exposition to point out, with uncharacteristic bluntness ("de façon plus crue" [18]), the relevance of autobiography-his experience as a jewish boy in algeria-to the development of de...
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Published in: | Diacritics 2007-03, Vol.37 (1), p.41-53 |
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description | Jacques derrida made a similar move in 2003 when he dropped his guard, abandoning the language of critical exposition to point out, with uncharacteristic bluntness ("de façon plus crue" [18]), the relevance of autobiography-his experience as a jewish boy in algeria-to the development of deconstruction.1 In both instances, one senses a desire for intellectual self-exposure,2 to dis-cover the relation of real-world experience and intellectual-critical, aesthetic, psychic-practices. In subsequent studies of painting, sculpture, and film undertaken in collaboration with dutoit, and solo essays on Plato and Pierre Michon, bersani has pursued with increasing clarity of purpose the central critique introduced in the culture of redemption, of the ways in which major artists and psychoanalytic theorists present our relations with others through a narrative of appropriation and annihilation, of subjects obliterating objects by adopting techniques of projection, introjection, and identification. |
doi_str_mv | 10.1353/dia.0.0019 |
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source | EBSCOhost MLA International Bibliography With Full Text; JSTOR Archival Journals and Primary Sources Collection; Project Muse:Jisc Collections:Project MUSE Journals Agreement 2024:Premium Collection; ProQuest One Literature; Art, Design & Architecture Collection |
subjects | Collaboration Essays French literature Human subjects Proust, Marcel (1871-1922) Psychoanalysis Subjectivity |
title | Mourning and Subjectivity: From Bersani to Proust, Klein, and Freud |
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