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Kerry James Marshall: The Painter of Afro-Modern Life
Kobena Mercer considers Kerry James Marshall’s paintings set against a backdrop of different modernisms: Greenbergian Modernism, with its dialectic of addition and substraction; postmodernism, with its disdain for painting; and Afro-Modernism, with its negotiations of historical and contemporary con...
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Published in: | Afterall 2019-09, Vol.48 (1), p.38-51 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Online Access: | Get full text |
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Summary: | Kobena Mercer considers Kerry James Marshall’s paintings set against a backdrop of different modernisms: Greenbergian Modernism, with its dialectic of addition and substraction; postmodernism, with its disdain for painting; and Afro-Modernism, with its negotiations of historical and contemporary contradictions. |
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ISSN: | 1465-4253 2156-4914 |
DOI: | 10.1086/706126 |