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On actor-network theory and anxiety in tourism research
Stinson and Grimwood focus on the aspects of actor-network theory in tourism research. Anxiety is a pervasive thing. It is erratic, radiant and hot, a rough, rambunctious hum of restlessness that dissipates and re-populates seemingly without pattern or explanation. Anxiety is existential, evocative,...
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Published in: | Annals of tourism research 2019-07, Vol.77, p.141-143 |
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Main Authors: | , |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that this one cites Items that cite this one |
Online Access: | Get full text |
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Summary: | Stinson and Grimwood focus on the aspects of actor-network theory in tourism research. Anxiety is a pervasive thing. It is erratic, radiant and hot, a rough, rambunctious hum of restlessness that dissipates and re-populates seemingly without pattern or explanation. Anxiety is existential, evocative, ever-present, and unfocused, often experienced as we seek authenticity or acceptance. Historically, Actor-Network Theory (ANT) has had challenges incorporating affect and human inclinations, a function of its push towards symmetry and recognizing non-human actors and agencies. In their 2016 paper, Mtiller and Schurr considered the inclusion of affect within ANT in the form of desire/wish, though they stopped short of extending this inclusion into research practice. |
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ISSN: | 0160-7383 1873-7722 |
DOI: | 10.1016/j.annals.2018.12.003 |