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John Wayne's World: Israel as Vietnam in Cast a Giant Shadow (1966)
Melville Shavelson's Cast a Giant Shadow (1966) stands alongside Otto Preminger's Exodus (1960) as one of the most notable Hollywood films to center on the founding of Israel. In this paper I argue that Cast a Giant Shadow is less concerned with the peculiarities of the nascent stages of t...
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Published in: | Journal of American studies 2019-08, Vol.53 (3), p.725-743 |
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description | Melville Shavelson's Cast a Giant Shadow (1966) stands alongside Otto Preminger's Exodus (1960) as one of the most notable Hollywood films to center on the founding of Israel. In this paper I argue that Cast a Giant Shadow is less concerned with the peculiarities of the nascent stages of the Arab–Israeli conflict, and instead functions as an unabashed endorsement of American military interventionism in foreign conflicts at a time in which the United States was dramatically escalating its military presence in Vietnam. The film is positioned as the second installment in an unofficial trilogy of overtly propagandistic pro-interventionist cinema produced by John Wayne's production company Batjac in the 1960s, alongside The Alamo (1960), Wayne's directing debut, and the notoriously jingoistic pro-Vietnam War film The Green Berets (1968). My analysis of this largely overlooked entry in the Wayne oeuvre ultimately reveals how Israel enabled Wayne to effectively put his art at the service of his political beliefs. |
doi_str_mv | 10.1017/S0021875819000124 |
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My analysis of this largely overlooked entry in the Wayne oeuvre ultimately reveals how Israel enabled Wayne to effectively put his art at the service of his political beliefs.</description><subject>Allegory</subject><subject>American culture</subject><subject>Arab Israeli relations</subject><subject>Biographies</subject><subject>Case studies</subject><subject>Characters (Roles)</subject><subject>Conservatism</subject><subject>Directing</subject><subject>Epic literature</subject><subject>Exegesis & hermeneutics</subject><subject>Fate</subject><subject>Film adaptations</subject><subject>Founding</subject><subject>Heroism & heroes</subject><subject>Ideology</subject><subject>Interventionism</subject><subject>Jewish people</subject><subject>Literary characters</subject><subject>Literary devices</subject><subject>Military intervention</subject><subject>Motion picture production</subject><subject>Motion pictures</subject><subject>Narrative techniques</subject><subject>Plot (Narrative)</subject><subject>Political attitudes</subject><subject>Politics</subject><subject>Preminger, Otto</subject><subject>Propaganda</subject><subject>Shavelson, Melville</subject><subject>Time</subject><subject>Vietnam War</subject><subject>Wayne, John 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source | International Bibliography of the Social Sciences (IBSS); Worldwide Political Science Abstracts; Cambridge University Press; ProQuest One Literature; Humanities Index; Art, Design & Architecture Collection |
subjects | Allegory American culture Arab Israeli relations Biographies Case studies Characters (Roles) Conservatism Directing Epic literature Exegesis & hermeneutics Fate Film adaptations Founding Heroism & heroes Ideology Interventionism Jewish people Literary characters Literary devices Military intervention Motion picture production Motion pictures Narrative techniques Plot (Narrative) Political attitudes Politics Preminger, Otto Propaganda Shavelson, Melville Time Vietnam War Wayne, John (1907-79) |
title | John Wayne's World: Israel as Vietnam in Cast a Giant Shadow (1966) |
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