Loading…
Scenes from the Global South: Women’s Bodies as Waste in Bolaño’s 2666
This essay reads the landscape of Roberto Bolaño’s fictional Santa Teresa through a new materialist lens. In the fourth section of Bolaño’s epic novel 2666 , “The Part about the Crimes,” the bodies of 112 women, victims of a series of unsolved murders, accumulate as part of a postglobal dystopic nar...
Saved in:
Published in: | Cambridge journal of postcolonial literary inquiry 2020-01, Vol.7 (1), p.1-13 |
---|---|
Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that this one cites |
Online Access: | Get full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Summary: | This essay reads the landscape of Roberto Bolaño’s fictional Santa Teresa through a new materialist lens. In the fourth section of Bolaño’s epic novel
2666
, “The Part about the Crimes,” the bodies of 112 women, victims of a series of unsolved murders, accumulate as part of a postglobal dystopic narrative of material and existential waste. Critics have especially noted the text’s clinical narration of events, which effectively reduces the victims’ bodies to interchangeable parts of a larger assemblage that also includes the factories (
maquiladoras
) where the women work, the northern capital that funds them, the police force that repeatedly fails to solve the murders, and the trash heaps and landfills where many of the bodies appear. It is, however, the women’s inert, mutilated bodies that animate Bolaño’s novel. Dehumanized by the text, the bodies’ materiality paradoxically gives human heft to an otherwise mechanistic account of undifferentiated carnage. |
---|---|
ISSN: | 2052-2614 2052-2622 |
DOI: | 10.1017/pli.2019.24 |