Verba imperfecta: Reden, Erzählen und Verstummen in Ovids «Metamorphosen

Art, gender, and violence in the Metamorphoses, Arion 5.3 (1998), 9-41, hier 39: «The body, ultimately, is only a trope for something else, that is, the instability and vulnerability of the human condition.» 27 Hallett 2000, 554: «At lines 713 ff. [...] they happen to be standing before that temple...

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Bibliographic Details
Published in:Antike und Abendland 2009, Vol.55 (1), p.62
Main Author: Gauly, Bardo Maria
Format: Article
Language:ger
Subjects:
Hallett, Judith P
Online Access:Get full text
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Summary:Art, gender, and violence in the Metamorphoses, Arion 5.3 (1998), 9-41, hier 39: «The body, ultimately, is only a trope for something else, that is, the instability and vulnerability of the human condition.» 27 Hallett 2000, 554: «At lines 713 ff. [...] they happen to be standing before that temple and to be re-living, as they narrate the story of the place, that very moment when they achieved divine equality.» Griffin 1991, 56: «A string of peasant banalities may have entertained Jupiter and Mercury but Ovid does not consider that his sophisticated readers would find them equally engaging.» Konstan, David: The death of Argus, or what stories do: audience response in ancient fiction and theory, Helios 18 (1991), 15-30.
ISSN:0003-5696
1613-0421
DOI:10.1515/9783110207927.62