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Verba imperfecta: Reden, Erzählen und Verstummen in Ovids «Metamorphosen
Art, gender, and violence in the Metamorphoses, Arion 5.3 (1998), 9-41, hier 39: «The body, ultimately, is only a trope for something else, that is, the instability and vulnerability of the human condition.» 27 Hallett 2000, 554: «At lines 713 ff. [...] they happen to be standing before that temple...
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| Published in: | Antike und Abendland 2009, Vol.55 (1), p.62 |
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| Language: | ger |
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| container_title | Antike und Abendland |
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| creator | Gauly, Bardo Maria |
| description | Art, gender, and violence in the Metamorphoses, Arion 5.3 (1998), 9-41, hier 39: «The body, ultimately, is only a trope for something else, that is, the instability and vulnerability of the human condition.» 27 Hallett 2000, 554: «At lines 713 ff. [...] they happen to be standing before that temple and to be re-living, as they narrate the story of the place, that very moment when they achieved divine equality.» Griffin 1991, 56: «A string of peasant banalities may have entertained Jupiter and Mercury but Ovid does not consider that his sophisticated readers would find them equally engaging.» Konstan, David: The death of Argus, or what stories do: audience response in ancient fiction and theory, Helios 18 (1991), 15-30. |
| doi_str_mv | 10.1515/9783110207927.62 |
| format | article |
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| ispartof | Antike und Abendland, 2009, Vol.55 (1), p.62 |
| issn | 0003-5696 1613-0421 |
| language | ger |
| recordid | cdi_proquest_journals_2340227564 |
| source | ProQuest One Literature |
| subjects | Hallett, Judith P |
| title | Verba imperfecta: Reden, Erzählen und Verstummen in Ovids «Metamorphosen |
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