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Post-Yugoslavian Ethnomusicologies in Dialogue
From the 1950s through 1990s, ethnomusicology in Yugoslavia represented the sum of several distinct research traditions that, by and large, overlapped with the borders of six constituent republics: Bosnia-Herzegovina, Croatia, Macedonia, Montenegro, Serbia, and Slovenia. Although the overarching nat...
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Published in: | Yearbook for traditional music 2008-01, Vol.40, p.33-45 |
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container_end_page | 45 |
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container_start_page | 33 |
container_title | Yearbook for traditional music |
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creator | Ceribašić, Naila Hofman, Ana Rasmussen, Ljerka Vidić |
description | From the 1950s through 1990s, ethnomusicology in Yugoslavia represented the sum of several distinct research traditions that, by and large, overlapped with the borders of six constituent republics: Bosnia-Herzegovina, Croatia, Macedonia, Montenegro, Serbia, and Slovenia. Although the overarching national framework quickly disintegrated with the onset of the Yugoslav wars of succession in the early 1990s, localized research within particular borders was largely unaffected. The triumph of militant nationalism, the sweeping social changes, and the attendant musical transformations across the region raised issues of researchers’ accountability. Faced with unimaginable violence in the name of national identity and cultural difference, what should, or can, an ethnomusicologist do? |
doi_str_mv | 10.1017/S074015580001208X |
format | article |
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language | eng |
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subjects | Cognitive problems, arts and sciences, folk traditions, folklore Cultural identity Culture Essentialism Ethnography Ethnology Ethnomusicology Field study Folk culture Folk music Folklore Gender Gender identity Minority & ethnic groups Music Music composition Nationalism Popular music Romani people Slavic culture War |
title | Post-Yugoslavian Ethnomusicologies in Dialogue |
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