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The absurd as method: The Chinese absurdist hero, enchanted power, and the alienated poor in Yan Lianke's military literature

As one of the most prolific and outspoken of contemporary Chinese writers, Yan Lianke has won international recognition for his writing from the margins. However, while his novels have been extensively studied, Yan's military literature has received much less scholarly attention. This paper exp...

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Bibliographic Details
Published in:Literature compass 2020-03, Vol.17 (3-4), p.n/a
Main Author: Xie, Haiyan
Format: Article
Language:English
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Summary:As one of the most prolific and outspoken of contemporary Chinese writers, Yan Lianke has won international recognition for his writing from the margins. However, while his novels have been extensively studied, Yan's military literature has received much less scholarly attention. This paper explores Yan's adaptation of the absurd in Western literature to Chinese military literature, investigates how he constructs Chinese absurdist heroes, and reconstructs the concepts of “the poor” and “power” in his narratives. Focusing in particular on his 2009 collection of military novellas Sihao jinqu (Prohibited Area Number Four), this paper argues that the absurd in Yan's military texts serves not only as a formal experiment for exploring the alternative imagination of the alienated and marginalized peasant soldiers in contemporary China but also as an implicit means of articulating Yan's own socio‐political commentary, one which cannot allow itself to be explicitly political.
ISSN:1741-4113
1741-4113
DOI:10.1111/lic3.12568