The International Circulation and Impact of Invasion Fiction: Case Study of William Le Queux's The Invasion of 1910--Not an ordinary "pot-boiler"'

• Published in: Critical survey (Oxford, England) England), 2020-03, Vol.32 (1-2), p.159
• Main Author: Bulfin, Ailise
• Format: Article
• Language: English
• Subjects: Authorship; Biographies; Book publishing; Case studies; Contemporary literature; Corelli, Marie; Corelli, Marie (1855-1924); E-books; Equipment and supplies; Fate; Fiction; Gothic fiction; Heating; Invasions; Le Queux, William; Literary characters; Literary criticism; Literary devices; Literary influences; Literary translation; Literature; Modern literature; Novels; Plot (Narrative); Popularity; Publishing; Publishing industry; Readers; Reception; Sales; Social aspects; Social criticism & satire; Social impact; War; World War I; Writers
• ISSN: 0011-1570; 1752-2293
• DOI: 10.3167/cs.2020.32010208

A key text of the pre-First World War invasion fiction genre, William Le Queux’s The Invasion of 1910 (1906) is often assumed to have sold in vast quantities and provoked major controversy. This article investigates the circulation and social impact of this divisive, polemical work before and during the war to provide a more accurate account of its reception. Using Marie Corelli’s proven bestseller The Sorrows of Satan (1895) as a comparator, the article shows sales of The Invasion of 1910 were similar to other bestselling novels, though not comparable to Corelli’s phenomenal sales. Le Queux’s text, however, punched above the weight of the typical bestseller in terms of its social influence, receiving parliamentary censure, extensive newspaper coverage, wide satire and polarised reader responses. Overall, this analysis provides insight into the workings of the popular fiction industry and the nature and extent of invasion fears in the early twentieth century.