Exploring the term “harmony” and its practical significance in Confucian classics with examples drawn from the Liji

• Published in: Philosophy compass 2020-09, Vol.15 (9), p.1-12
• Main Authors: Fang, Zhaohui, McConochie, Thomas
• Format: Article
• Language: English
• ISSN: 1747-9991; 1747-9991
• DOI: 10.1111/phc3.12705

The Chinese character, he (和), “harmony,” occurs more than 100 times in the Liji (禮記; the Book of Rites). This accounts for over one‐third of the term's total number of occurrences in the 13 pre‐Qin Confucian classics. In this study, we engage with existing scholarship on the concept of “harmony” in Chinese culture and contribute to the discussion by analyzing the variety of senses that “harmony” has in the pre‐Qin Confucian classics, especially the Liji. We find that usages of the term “he” (“harmony”) in the Liji fall into six categories, namely, self, external things, music, human relations, politics, and the universe. We hold that the ways in which harmony features in the Liji and other Confucian classics can help us understand the Chinese cultural presupposition that there exists “only one world,” meaning that this world encompasses both the natural and the supernatural, and that human beings are a holistic blend of body and heart‐mind, which does not give rise to any dualistic tension between body and mind. Based on our understanding of the unique Chinese worldview and the corresponding view on life, this study aims to give an account for the importance of harmony as a guideline within various areas of Chinese life.