Print, poetry and posterity: Grinling Gibbons’s statue of Charles II for the Royal Exchange

Grinling Gibbons’s statue of Charles II for the courtyard of the Royal Exchange, London, was unveiled in 1684 and quickly celebrated as the leading public sculpture of its age. Within a century, however, the work was so damaged that it was replaced by John Spiller’s replica. Scholarly interest in Gi...

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Bibliographic Details
Published in:The sculpture journal 2020-12, Vol.29 (3), p.313-336
Main Author: van Hensbergen, Claudine
Format: Article
Language:English
Subjects:
Gibbons, Grinling
Marble
Poetry
Reputations
Roscoe, Ingrid
Sculpture
Workshops
Online Access:Get full text
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Summary:Grinling Gibbons’s statue of Charles II for the courtyard of the Royal Exchange, London, was unveiled in 1684 and quickly celebrated as the leading public sculpture of its age. Within a century, however, the work was so damaged that it was replaced by John Spiller’s replica. Scholarly interest in Gibbons’s accomplishments in stone have always been overshadowed by attention to his limewood carvings, even though stone works constituted at least half of his professional output. This article reconstructs the design and importance of the Charles II statue through a series of early cultural responses to the work, including a detailed engraving by Peter Vanderbank and three published poems. These works allow us to appreciate the skill of this key sculptural output from the Gibbons workshop, viewing it through contemporary ideas of aesthetic and propagandistic value, in addition to perceiving the prominence it once held in London’s cityscape.
ISSN:1366-2724
1366-2724
1756-9923
DOI:10.3828/sj.2020.29.3.5