Aesthetical criterion in art and science

In the paper, the authors elaborate a recent research concerning the originality of artworks in terms of self-organization in the complex systems physics. It has been demonstrated that the originality issue, so conceived leads to a criterion of applied aesthetics that is not restricted to the fine a...

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Bibliographic Details
Published in:Neural computing & applications 2021-03, Vol.33 (6), p.2137-2156
Main Authors: Milovanović, Miloš, Medić-Simić, Gordana
Format: Article
Language:English
Subjects:
Adequacy
Artificial Intelligence
Complex systems
Computational Biology/Bioinformatics
Computational Science and Engineering
Computer Science
Cosmology
Criteria
Data Mining and Knowledge Discovery
Humanities
Image Processing and Computer Vision
Original Article
Probability and Statistics in Computer Science
Psychology
Signal processing
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Summary:In the paper, the authors elaborate a recent research concerning the originality of artworks in terms of self-organization in the complex systems physics. It has been demonstrated that the originality issue, so conceived leads to a criterion of applied aesthetics that is not restricted to the fine arts domain, but covers also physics, biology, cosmology and other fields construed in the complex systems terms. It is a truth criterion related to the traditional personality conception, transcending gnoseological dualism of subjective and objective reality that is a characteristic of the modern humanities. The signal processing model developed in accordance with the criterion concerns neuroaesthetics indicating an opportunity of its computational foundation. Fechner’s law reproduced by statistical properties of the model, that relates the outer phychophysical scaling of a stimulus to the inner psychophysical sensation scale, is a confirmation of its adequacy. The impact to psychology, education and other humanities is briefly indicated.
ISSN:0941-0643
1433-3058
DOI:10.1007/s00521-020-05065-5