'Trust Not Appearances': Political and Personal Betrayal in James Joyce's Ulysses

Literary historians such as Tony Tanner have speculated that adultery, with its assault upon the patriarchal institution of marriage and its potential for family drama, is the principal theme of the bourgeois novel that evolves in Europe during the nineteenth century. Joyce's famous work was he...

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Bibliographic Details
Published in:Irish university review 2014-11, Vol.44 (2), p.254-271
Main Author: Smyth, Gerry
Format: Article
Language:English
Subjects:
Adultery
Betrayal
Divorce
Irish culture
Irish history
Irish literature
Irish politics
Literary criticism
Literary Studies
Novels
Treason
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Summary:Literary historians such as Tony Tanner have speculated that adultery, with its assault upon the patriarchal institution of marriage and its potential for family drama, is the principal theme of the bourgeois novel that evolves in Europe during the nineteenth century. Joyce's famous work was heir to the great nineteenth-century novel of adultery - a tradition which includes the likes of Tolstoy's Anna Karenina (1873-77), Flaubert's Madame Bovary (1857), and Zola's Thérèse Raquin (1867). An act of marital betrayal lies at the heart of the story, an act which Joyce explores in all its emotional and moral complexity. Other critics (such as David Lloyd) have argued that his condition as an Irish writer obliged Joyce to develop an 'adulterated' form of writing - one which refused the precepts of patriarchal authorship, and in so doing contributed significantly to the emergence of the cultural sensibility known as Modernism. This article addresses Joyce's imagination of personal and political betrayal as explored in both the thematic and formal aspects of Ulysses .
ISSN:0021-1427
2047-2153
DOI:10.3366/iur.2014.0123