Writing and exhibiting a ‘live’ and convivial sociology: Portraiture and women’s lived experiences of a French suburb

• Published in: The Sociological review (Keele) 2021-11, Vol.69 (6), p.1195-1213
• Main Author: Peyrefitte, Magali
• Format: Article
• Language: English
• Subjects: Dissemination; Ethnography; Hegemony; Low income groups; Modes of production; Neighborhoods; Neoliberalism; Portraits; Research design; Sociological imagination; Sociology; Suburban areas; Visual representation; Women
• ISSN: 0038-0261; 1467-954X
• DOI: 10.1177/00380261211009775

Embracing the manifesto for a ‘live’ sociology, I included portraiture into the research design of an ethnographic study into women’s lived experiences of French suburbia and organised an exhibition entitled Habitantes d’Hier and d’Aujourd’hui: exposition sociologique et photographique. This was a personal project in the neighbourhood of my youth and was motivated by the intention to shine some light on the invisible stories of women living in lower-middle and middle-income suburbs in France. In this article, I reflect on the use of portraiture for the possibility it offers in capturing the ethnographic encounter as well as in giving saliency and offering a visual representation of the sociological analysis. I also discuss the exhibition of these portraits as a moment of conviviality grounded in the endeavour of writing differently from hegemonic modes of academic communication and dissemination allowing for a sharing and sharpening of the sociological imagination. It represents an opportunity to think beyond some of the more neoliberal imperatives that govern academia today and shape our sociological craft. I argue for the value of creating a moment of conviviality, that is a space challenging modes of dissemination, engagement and even impact to some extent, as well as modes of knowledge production: broadly opening up more possibilities for a truly public sociology to continue to exist.