Problems of portrayal: Hidden Figures in the development of science educators

The framing of characters by mainstream films can affect viewers’ perceptions of social groups, their histories, and their contributions. Using critical media analysis, I explore the film Hidden Figures and its portrayal of Katherine Goble Johnson, an African American mathematician employed at the N...

Full description

Saved in:
Bibliographic Details
Published in:Cultural studies of science education 2021-12, Vol.16 (4), p.1335-1352
Main Author: Nkrumah, Tara
Format: Article
Language:English
Subjects:
Aeronautics
Aerospace Education
African American studies
African Americans
Aviation Technology
Civil rights
Cultural factors
Education
Ethical standards
Feminism
Film studies
Gender Bias
Media Literacy
Motion pictures
Norms
Original Paper
Racial Attitudes
Racial Bias
Science Education
Science Teachers
Sociology of Education
Space programs
STEM education
Citations: Items that this one cites
Items that cite this one
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:The framing of characters by mainstream films can affect viewers’ perceptions of social groups, their histories, and their contributions. Using critical media analysis, I explore the film Hidden Figures and its portrayal of Katherine Goble Johnson, an African American mathematician employed at the National Aeronautics and Space Administration (NASA) during the United States’ Civil Rights Movement. First, I rely on womanist methodology to examine the film’s portrayal of Katherine’s professional experiences and then Black Feminist Thought (BFT) to interpret the film in relationship to the book from which it was adapted, Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race . The themes in Hidden Figures’ portrayal of Katherine were as follows: (1) compliance with the sexist and racist norms of the organization (NASA), (2) reliance on narratives of exceptionalism and omission . These themes constitute the major finding, which was that whiteness was expressed through Katherine’s academic and innovative, perfection as an ethical and disciplined (work/er), and belonging and leading. Additionally, through omission, the film is a cultural product that reflects whiteness as a cultural norm. Implications of these findings are discussed in connection to the use of critical media analysis to build critical media literacy in the preparation of African American women dis/interested in fields such as science, technology, engineering, and mathematics (STEM).
ISSN:1871-1502
1871-1510
DOI:10.1007/s11422-021-10021-3