Loading…

Proper Posture: Designing Posture Feedback Across Musical Instruments

There is a recommended body posture and hand position for playing every musical instrument, allowing efficient and quick movements without blockage. Due to humans' limited cognitive capabilities, they struggle to concentrate on several things simultaneously and thus sometimes lose the correct p...

Full description

Saved in:
Bibliographic Details
Published in:arXiv.org 2022-05
Main Authors: Eska, Bettina, Niess, Jasmin, Müller, Florian
Format: Article
Language:English
Subjects:
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
cited_by
cites
container_end_page
container_issue
container_start_page
container_title arXiv.org
container_volume
creator Eska, Bettina
Niess, Jasmin
Müller, Florian
description There is a recommended body posture and hand position for playing every musical instrument, allowing efficient and quick movements without blockage. Due to humans' limited cognitive capabilities, they struggle to concentrate on several things simultaneously and thus sometimes lose the correct position while playing their instrument. Incorrect positions when playing an instrument can lead to injuries and movement disorders in the long run. Previous work in HCI mainly focused on developing systems to assist in learning an instrument. However, the design space for posture correction when playing a musical instrument has not yet been explored. In this position paper, we present our vision of providing subtle vibrotactile or thermal feedback to guide the focus of attention back to the correct posture when playing a musical instrument. We discuss our concept with a focus on motion recognition and feedback modalities. Finally, we outline the next steps for future research.
format article
fullrecord <record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_journals_2671808525</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2671808525</sourcerecordid><originalsourceid>FETCH-proquest_journals_26718085253</originalsourceid><addsrcrecordid>eNqNjbEKwjAURYMgWLT_EHAupEmjxU20RQehg3uJ9Vlaa1LfS_7fDro7XTjnwJ2xSCqVJnkm5YLFRL0QQm62UmsVsaJCNwLyypEPCDt-BOpa29n2h3gJcL-Z5sn3DToifgnUNWbgZ0sewwuspxWbP8xAEH93ydZlcT2ckhHdOwD5uncB7aTq6TnNRa6lVv9VH4ofOxo</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2671808525</pqid></control><display><type>article</type><title>Proper Posture: Designing Posture Feedback Across Musical Instruments</title><source>Publicly Available Content Database (Proquest) (PQ_SDU_P3)</source><creator>Eska, Bettina ; Niess, Jasmin ; Müller, Florian</creator><creatorcontrib>Eska, Bettina ; Niess, Jasmin ; Müller, Florian</creatorcontrib><description>There is a recommended body posture and hand position for playing every musical instrument, allowing efficient and quick movements without blockage. Due to humans' limited cognitive capabilities, they struggle to concentrate on several things simultaneously and thus sometimes lose the correct position while playing their instrument. Incorrect positions when playing an instrument can lead to injuries and movement disorders in the long run. Previous work in HCI mainly focused on developing systems to assist in learning an instrument. However, the design space for posture correction when playing a musical instrument has not yet been explored. In this position paper, we present our vision of providing subtle vibrotactile or thermal feedback to guide the focus of attention back to the correct posture when playing a musical instrument. We discuss our concept with a focus on motion recognition and feedback modalities. Finally, we outline the next steps for future research.</description><identifier>EISSN: 2331-8422</identifier><language>eng</language><publisher>Ithaca: Cornell University Library, arXiv.org</publisher><subject>Feedback ; Motion perception ; Musical instruments ; Posture</subject><ispartof>arXiv.org, 2022-05</ispartof><rights>2022. This work is published under http://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://www.proquest.com/docview/2671808525?pq-origsite=primo$$EHTML$$P50$$Gproquest$$Hfree_for_read</linktohtml><link.rule.ids>780,784,25753,37012,44590</link.rule.ids></links><search><creatorcontrib>Eska, Bettina</creatorcontrib><creatorcontrib>Niess, Jasmin</creatorcontrib><creatorcontrib>Müller, Florian</creatorcontrib><title>Proper Posture: Designing Posture Feedback Across Musical Instruments</title><title>arXiv.org</title><description>There is a recommended body posture and hand position for playing every musical instrument, allowing efficient and quick movements without blockage. Due to humans' limited cognitive capabilities, they struggle to concentrate on several things simultaneously and thus sometimes lose the correct position while playing their instrument. Incorrect positions when playing an instrument can lead to injuries and movement disorders in the long run. Previous work in HCI mainly focused on developing systems to assist in learning an instrument. However, the design space for posture correction when playing a musical instrument has not yet been explored. In this position paper, we present our vision of providing subtle vibrotactile or thermal feedback to guide the focus of attention back to the correct posture when playing a musical instrument. We discuss our concept with a focus on motion recognition and feedback modalities. Finally, we outline the next steps for future research.</description><subject>Feedback</subject><subject>Motion perception</subject><subject>Musical instruments</subject><subject>Posture</subject><issn>2331-8422</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2022</creationdate><recordtype>article</recordtype><sourceid>PIMPY</sourceid><recordid>eNqNjbEKwjAURYMgWLT_EHAupEmjxU20RQehg3uJ9Vlaa1LfS_7fDro7XTjnwJ2xSCqVJnkm5YLFRL0QQm62UmsVsaJCNwLyypEPCDt-BOpa29n2h3gJcL-Z5sn3DToifgnUNWbgZ0sewwuspxWbP8xAEH93ydZlcT2ckhHdOwD5uncB7aTq6TnNRa6lVv9VH4ofOxo</recordid><startdate>20220530</startdate><enddate>20220530</enddate><creator>Eska, Bettina</creator><creator>Niess, Jasmin</creator><creator>Müller, Florian</creator><general>Cornell University Library, arXiv.org</general><scope>8FE</scope><scope>8FG</scope><scope>ABJCF</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>BGLVJ</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>HCIFZ</scope><scope>L6V</scope><scope>M7S</scope><scope>PIMPY</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>PTHSS</scope></search><sort><creationdate>20220530</creationdate><title>Proper Posture: Designing Posture Feedback Across Musical Instruments</title><author>Eska, Bettina ; Niess, Jasmin ; Müller, Florian</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_journals_26718085253</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2022</creationdate><topic>Feedback</topic><topic>Motion perception</topic><topic>Musical instruments</topic><topic>Posture</topic><toplevel>online_resources</toplevel><creatorcontrib>Eska, Bettina</creatorcontrib><creatorcontrib>Niess, Jasmin</creatorcontrib><creatorcontrib>Müller, Florian</creatorcontrib><collection>ProQuest SciTech Collection</collection><collection>ProQuest Technology Collection</collection><collection>Materials Science &amp; Engineering Collection</collection><collection>ProQuest Central (Alumni)</collection><collection>ProQuest Central</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>Technology Collection</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central</collection><collection>SciTech Premium Collection</collection><collection>ProQuest Engineering Collection</collection><collection>Engineering Database</collection><collection>Publicly Available Content Database (Proquest) (PQ_SDU_P3)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>Engineering collection</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Eska, Bettina</au><au>Niess, Jasmin</au><au>Müller, Florian</au><format>book</format><genre>document</genre><ristype>GEN</ristype><atitle>Proper Posture: Designing Posture Feedback Across Musical Instruments</atitle><jtitle>arXiv.org</jtitle><date>2022-05-30</date><risdate>2022</risdate><eissn>2331-8422</eissn><abstract>There is a recommended body posture and hand position for playing every musical instrument, allowing efficient and quick movements without blockage. Due to humans' limited cognitive capabilities, they struggle to concentrate on several things simultaneously and thus sometimes lose the correct position while playing their instrument. Incorrect positions when playing an instrument can lead to injuries and movement disorders in the long run. Previous work in HCI mainly focused on developing systems to assist in learning an instrument. However, the design space for posture correction when playing a musical instrument has not yet been explored. In this position paper, we present our vision of providing subtle vibrotactile or thermal feedback to guide the focus of attention back to the correct posture when playing a musical instrument. We discuss our concept with a focus on motion recognition and feedback modalities. Finally, we outline the next steps for future research.</abstract><cop>Ithaca</cop><pub>Cornell University Library, arXiv.org</pub><oa>free_for_read</oa></addata></record>
fulltext fulltext
identifier EISSN: 2331-8422
ispartof arXiv.org, 2022-05
issn 2331-8422
language eng
recordid cdi_proquest_journals_2671808525
source Publicly Available Content Database (Proquest) (PQ_SDU_P3)
subjects Feedback
Motion perception
Musical instruments
Posture
title Proper Posture: Designing Posture Feedback Across Musical Instruments
url http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-02T10%3A06%3A43IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.genre=document&rft.atitle=Proper%20Posture:%20Designing%20Posture%20Feedback%20Across%20Musical%20Instruments&rft.jtitle=arXiv.org&rft.au=Eska,%20Bettina&rft.date=2022-05-30&rft.eissn=2331-8422&rft_id=info:doi/&rft_dat=%3Cproquest%3E2671808525%3C/proquest%3E%3Cgrp_id%3Ecdi_FETCH-proquest_journals_26718085253%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=2671808525&rft_id=info:pmid/&rfr_iscdi=true