Deux versions modernes de l’histoire d’OEdipe: Au retour des oies blanches de Marcel Dubé et Incendies de Wajdi Mouawad

Two modern versions of the story of Oedipus: Au retour des oies blanches by Marcel Dubé end Incendies by Wajdi Mouawad More than thirty years apart, two major figures of the Quebec theater scene – Marcel Dubé and Wajdi Mouawad – take up the mythical story of The King of Thebes, who killed his father...

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Published in:Cahiers ERTA 2019-01, Vol.2019 (17), p.9
Main Author: Jakubczuk, Renata
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Language:eng ; fre
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Mouawad, Wajdi (1968- )
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description Two modern versions of the story of Oedipus: Au retour des oies blanches by Marcel Dubé end Incendies by Wajdi Mouawad More than thirty years apart, two major figures of the Quebec theater scene – Marcel Dubé and Wajdi Mouawad – take up the mythical story of The King of Thebes, who killed his father and slept with his mother, and propose its "Quebec versions". The two plays, Au retour des oies blanches (1969) and Incendies (2003), are well anchored in the contemporary reality of their respective authors: the Quiet Revolution for Dubé and the civil war in Lebanon for Mouawad. Both returns to the myth of Oedipus depict young people who, like the mythical character, pursue a quest for their roots and reach the end of their respective investigations. This article aims to take up the key elements of the myth and to study their dramaturgical functioning in modern texts.
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title Deux versions modernes de l’histoire d’OEdipe: Au retour des oies blanches de Marcel Dubé et Incendies de Wajdi Mouawad
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