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‘…The enemy is close and in this sad story, Ximena is the Cid’: Reading The Moor’s Last Sigh in light of Salman Rushdie’s sources
‘Reading The Moor’s Last Sigh in light of Salman Rushdie’s sources’ seeks to shed light on the literary and historical sources that were used by Salman Rushdie in the course of writing about Islamic Spain, or al-Andalus, in his 1995 novel, The Moor’s Last Sigh , and to explore the ways in which thos...
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Published in: | Postmedieval a journal of medieval cultural studies 2022-12, Vol.13 (3-4), p.471-496 |
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container_title | Postmedieval a journal of medieval cultural studies |
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creator | Pearce, S. J. |
description | ‘Reading
The Moor’s Last Sigh
in light of Salman Rushdie’s sources’ seeks to shed light on the literary and historical sources that were used by Salman Rushdie in the course of writing about Islamic Spain, or al-Andalus, in his 1995 novel,
The Moor’s Last Sigh
, and to explore the ways in which those sources help to shape the narrative. In addition to transcribing and publishing the archival record of Rushdie’s personal bibliography of al-Andalus, the article particularly engages with his sources for the legends of the much-mythologised mercenary soldier Rodrigo Díaz de Vivar, also known by the epithet
el Cid
. By doing so, the present study offers a more expansive, historically-contextualised reading of the titular ‘last sigh’ gesture that goes beyond its usual situation in the context of the surrender of Granada in 1492; and it also argues for the special centrality of women readers as figures within the novel, a contention that can be amplified through a source-critical reading of the novel and the scholarship and literature that form its textual substrata. |
doi_str_mv | 10.1057/s41280-022-00257-9 |
format | article |
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The Moor’s Last Sigh
in light of Salman Rushdie’s sources’ seeks to shed light on the literary and historical sources that were used by Salman Rushdie in the course of writing about Islamic Spain, or al-Andalus, in his 1995 novel,
The Moor’s Last Sigh
, and to explore the ways in which those sources help to shape the narrative. In addition to transcribing and publishing the archival record of Rushdie’s personal bibliography of al-Andalus, the article particularly engages with his sources for the legends of the much-mythologised mercenary soldier Rodrigo Díaz de Vivar, also known by the epithet
el Cid
. By doing so, the present study offers a more expansive, historically-contextualised reading of the titular ‘last sigh’ gesture that goes beyond its usual situation in the context of the surrender of Granada in 1492; and it also argues for the special centrality of women readers as figures within the novel, a contention that can be amplified through a source-critical reading of the novel and the scholarship and literature that form its textual substrata.</description><identifier>ISSN: 2040-5960</identifier><identifier>EISSN: 2040-5979</identifier><identifier>DOI: 10.1057/s41280-022-00257-9</identifier><language>eng</language><publisher>London: Palgrave Macmillan UK</publisher><subject>Armed forces ; British & Irish literature ; Cultural and Media Studies ; Digital Humanities ; English literature ; History of Medieval Europe ; Indian literature ; Literary criticism ; Literature ; Medieval Literature ; Novels ; Original Article ; Rushdie, Salman</subject><ispartof>Postmedieval a journal of medieval cultural studies, 2022-12, Vol.13 (3-4), p.471-496</ispartof><rights>The Author(s), under exclusive licence to Springer Nature Limited 2022. Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c1859-25c009d625ad99e8675cd3e1af09f48f85cb87fd87d82cfd588103f531610b53</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.proquest.com/docview/2768595737/fulltextPDF?pq-origsite=primo$$EPDF$$P50$$Gproquest$$H</linktopdf><linktohtml>$$Uhttps://www.proquest.com/docview/2768595737?pq-origsite=primo$$EHTML$$P50$$Gproquest$$H</linktohtml><link.rule.ids>314,780,784,27924,27925,62661,62662,62677,74196</link.rule.ids></links><search><creatorcontrib>Pearce, S. J.</creatorcontrib><title>‘…The enemy is close and in this sad story, Ximena is the Cid’: Reading The Moor’s Last Sigh in light of Salman Rushdie’s sources</title><title>Postmedieval a journal of medieval cultural studies</title><addtitle>Postmedieval</addtitle><description>‘Reading
The Moor’s Last Sigh
in light of Salman Rushdie’s sources’ seeks to shed light on the literary and historical sources that were used by Salman Rushdie in the course of writing about Islamic Spain, or al-Andalus, in his 1995 novel,
The Moor’s Last Sigh
, and to explore the ways in which those sources help to shape the narrative. In addition to transcribing and publishing the archival record of Rushdie’s personal bibliography of al-Andalus, the article particularly engages with his sources for the legends of the much-mythologised mercenary soldier Rodrigo Díaz de Vivar, also known by the epithet
el Cid
. By doing so, the present study offers a more expansive, historically-contextualised reading of the titular ‘last sigh’ gesture that goes beyond its usual situation in the context of the surrender of Granada in 1492; and it also argues for the special centrality of women readers as figures within the novel, a contention that can be amplified through a source-critical reading of the novel and the scholarship and literature that form its textual substrata.</description><subject>Armed forces</subject><subject>British & Irish literature</subject><subject>Cultural and Media Studies</subject><subject>Digital Humanities</subject><subject>English literature</subject><subject>History of Medieval Europe</subject><subject>Indian literature</subject><subject>Literary criticism</subject><subject>Literature</subject><subject>Medieval Literature</subject><subject>Novels</subject><subject>Original Article</subject><subject>Rushdie, Salman</subject><issn>2040-5960</issn><issn>2040-5979</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2022</creationdate><recordtype>article</recordtype><sourceid>AIMQZ</sourceid><recordid>eNp9kE1OwzAQhSMEElXpBVhZYkvAduLYZocq_qQipLYLdpYb202qNimedNFd91wALsDBehKcBsGO2cxo9L33pBdF5wRfEcz4NaSEChxjSmOMKeOxPIp6FKc4ZpLL4987w6fRAGCBw6SSZSnvRe_73cd-9zUtLLKVXW1RCShf1mCRrgwqK9QU4QPaIGhqv71Er-XKVrrFmqAZlma_-7xBY6tNWc1R6_Nc1z48AY00NGhSzovWZxl2g2qHJnq50hUab6AwpT2AUG98buEsOnF6CXbws_vR9P5uOnyMRy8PT8PbUZwTwWRMWY6xNBll2khpRcZZbhJLtMPSpcIJls8Ed0ZwI2juDBOC4MSxhGQEz1jSjy4627Wv3zYWGrUI-VVIVJRnIYHxhAeKdlTuawBvnVr7cqX9VhGs2tpVV7sKtatD7UoGUdKJIMDV3Po_639U3520iNk</recordid><startdate>20221201</startdate><enddate>20221201</enddate><creator>Pearce, S. 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The Moor’s Last Sigh
in light of Salman Rushdie’s sources’ seeks to shed light on the literary and historical sources that were used by Salman Rushdie in the course of writing about Islamic Spain, or al-Andalus, in his 1995 novel,
The Moor’s Last Sigh
, and to explore the ways in which those sources help to shape the narrative. In addition to transcribing and publishing the archival record of Rushdie’s personal bibliography of al-Andalus, the article particularly engages with his sources for the legends of the much-mythologised mercenary soldier Rodrigo Díaz de Vivar, also known by the epithet
el Cid
. By doing so, the present study offers a more expansive, historically-contextualised reading of the titular ‘last sigh’ gesture that goes beyond its usual situation in the context of the surrender of Granada in 1492; and it also argues for the special centrality of women readers as figures within the novel, a contention that can be amplified through a source-critical reading of the novel and the scholarship and literature that form its textual substrata.</abstract><cop>London</cop><pub>Palgrave Macmillan UK</pub><doi>10.1057/s41280-022-00257-9</doi><tpages>26</tpages></addata></record> |
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language | eng |
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subjects | Armed forces British & Irish literature Cultural and Media Studies Digital Humanities English literature History of Medieval Europe Indian literature Literary criticism Literature Medieval Literature Novels Original Article Rushdie, Salman |
title | ‘…The enemy is close and in this sad story, Ximena is the Cid’: Reading The Moor’s Last Sigh in light of Salman Rushdie’s sources |
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