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Reading Moonlight, reading the other
This article brings a quare perspective to Moonlight's reception. We argue that many straight viewers identified the film's representational innovations but resisted its call to interrogate their preconceived notions about Black queerness. Instead, many audiences focused on others' in...
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Published in: | Communication and critical/cultural studies 2023-04, Vol.20 (2), p.270-287 |
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container_end_page | 287 |
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container_title | Communication and critical/cultural studies |
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creator | Rudrow, Keven James Edgar, Amanda Nell |
description | This article brings a quare perspective to Moonlight's reception. We argue that many straight viewers identified the film's representational innovations but resisted its call to interrogate their preconceived notions about Black queerness. Instead, many audiences focused on others' interpretations of the film. They perceived Black viewers as homophobic, demonstrating third-person effect, and used that stance to demonstrate their own progressive politics. In addition to documenting Moonlight's reception, this study demonstrates how reading a text through the imagined reception of other viewers can shift focus from connecting with the material conditions of marginalization to proving one's own progressive bona fides. |
doi_str_mv | 10.1080/14791420.2022.2164319 |
format | article |
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ispartof | Communication and critical/cultural studies, 2023-04, Vol.20 (2), p.270-287 |
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language | eng |
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source | Taylor and Francis Social Sciences and Humanities Collection |
subjects | Black audiences Cultural studies Culture Intersectionality Moonlight Quare theory Reception studies |
title | Reading Moonlight, reading the other |
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