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Cinnabar traditions across the ancient Central Andes: insights from the National Museum of the American Indian collections
The extraction and processing of cinnabar (HgS) to create red pigment have a deep history across the Andes. From paint used to decorate the bodies of people living on the North Coast during the early second millennium BCE, to the vibrantly decorated qeros owned by Inka elites during the Colonial per...
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Published in: | Archaeological and anthropological sciences 2023-12, Vol.15 (12), p.182, Article 182 |
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Main Authors: | , |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that this one cites Items that cite this one |
Online Access: | Get full text |
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Summary: | The extraction and processing of cinnabar (HgS) to create red pigment have a deep history across the Andes. From paint used to decorate the bodies of people living on the North Coast during the early second millennium BCE, to the vibrantly decorated qeros owned by Inka elites during the Colonial period, cinnabar has been sought after and employed by Andean peoples for millennia. In this paper, we explore spatial and temporal patterns of cinnabar use through a collection-based study at the Smithsonian National Museum of the American Indian. Applying the lens of
technological choice
to understand the mineral composition of pigments, we employ portable X-ray fluorescence and microscopy to record how, where, and when different Andean groups selected imported cinnabar over more common sources of red mineral pigment, such as iron oxides. Our results also hint at the possibility that ancient craftspeople intentionally combined different mineral pigments to produce desired hues and tints and/or other material and spiritual properties. By examining how cinnabar was deployed on pre-Hispanic Andean objects and images, we gain greater insight into the importance and meaning of this valued exchange material. |
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ISSN: | 1866-9557 1866-9565 |
DOI: | 10.1007/s12520-023-01864-8 |