Loading…

A comparative study of oil paintings and Chinese ink paintings on composition

In this study, we compare Western oil paintings and Chinese ink paintings on their composition, by extracting and computing 28 composition features of the paintings, including visual balance and relationships between different regions (segments). Among the extracted segments, we compute average dist...

Full description

Saved in:
Bibliographic Details
Published in:The Visual computer 2023-04, Vol.39 (4), p.1323-1334
Main Authors: Fan, Zhen-Bao, Zhu, Yi-Xuan, Marković, Slobodan, Zhang, Kang
Format: Article
Language:English
Subjects:
Citations: Items that this one cites
Items that cite this one
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:In this study, we compare Western oil paintings and Chinese ink paintings on their composition, by extracting and computing 28 composition features of the paintings, including visual balance and relationships between different regions (segments). Among the extracted segments, we compute average distance and rule-based features based on three layout rules, rule of thirds , golden mean and golden triangle . A total of 2253 paintings including 1138 oil paintings and 1115 Chinese ink paintings are collected. By comparing the results of the features on these paintings, our study investigates the difference and similarity between the two types of paintings on composition. Their composition designs are similar in visual balance and their tendency of composing along two diagonal lines, but are fairly different on many other aspects. For example, oil paintings are inclined to place objects on the bottom horizontal dividing lines of rule of thirds and golden mean . Having discovered the most important features that can differentiate the two types of paintings, we analyze the differences in the features and discuss their possible relationships to the culture and artists’ backgrounds.
ISSN:0178-2789
1432-2315
DOI:10.1007/s00371-022-02408-2