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A comparative study of oil paintings and Chinese ink paintings on composition
In this study, we compare Western oil paintings and Chinese ink paintings on their composition, by extracting and computing 28 composition features of the paintings, including visual balance and relationships between different regions (segments). Among the extracted segments, we compute average dist...
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Published in: | The Visual computer 2023-04, Vol.39 (4), p.1323-1334 |
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Main Authors: | , , , |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that this one cites Items that cite this one |
Online Access: | Get full text |
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Summary: | In this study, we compare Western oil paintings and Chinese ink paintings on their composition, by extracting and computing 28 composition features of the paintings, including visual balance and relationships between different regions (segments). Among the extracted segments, we compute average distance and rule-based features based on three layout rules,
rule of thirds
,
golden mean
and
golden triangle
. A total of 2253 paintings including 1138 oil paintings and 1115 Chinese ink paintings are collected. By comparing the results of the features on these paintings, our study investigates the difference and similarity between the two types of paintings on composition. Their composition designs are similar in visual balance and their tendency of composing along two diagonal lines, but are fairly different on many other aspects. For example, oil paintings are inclined to place objects on the bottom horizontal dividing lines of
rule of thirds
and
golden mean
. Having discovered the most important features that can differentiate the two types of paintings, we analyze the differences in the features and discuss their possible relationships to the culture and artists’ backgrounds. |
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ISSN: | 0178-2789 1432-2315 |
DOI: | 10.1007/s00371-022-02408-2 |