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The Taylor Mac Book: Ritual, Realness and Radical Performance ed by David Román and Sean F. Edgecomb (review)
Written and compiled during the height of the COVID-19 pandemic, The Taylor Mac Book is a celebration not only of the legacy and work of performance artist Taylor Mac but also of the magic and power of live performance as a form of communal ritual and queer kinship. Three subsequent chapters (by Kim...
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Published in: | Theatre journal (Washington, D.C.) D.C.), 2024-06, Vol.76 (2), p.258-260 |
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container_title | Theatre journal (Washington, D.C.) |
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creator | Gillespie, Benjamin |
description | Written and compiled during the height of the COVID-19 pandemic, The Taylor Mac Book is a celebration not only of the legacy and work of performance artist Taylor Mac but also of the magic and power of live performance as a form of communal ritual and queer kinship. Three subsequent chapters (by Kim Marra, Lisa A. Freeman, and Jennifer Buckley) offer divergent critical perspectives on Mac’s most celebrated work, A 24-Hour Decade History of Popular Music, in its various incarnations, especially the twenty-four-hour-long durational performance at St. Ann’s Warehouse in Brooklyn in 2016. Two additional essays expend the analysis of 24-Decade History to US dramaturgy and design (by Sissi Liu) as well as the influence of the US songbook (by Román). |
doi_str_mv | 10.1353/tj.2024.a932188 |
format | article |
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identifier | ISSN: 0192-2882 |
ispartof | Theatre journal (Washington, D.C.), 2024-06, Vol.76 (2), p.258-260 |
issn | 0192-2882 1086-332X 1086-332X |
language | eng |
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source | EBSCOhost MLA International Bibliography With Full Text; Project Muse:Jisc Collections:Project MUSE Journals Agreement 2024:Premium Collection |
subjects | 21st century Artists Careers Interpersonal relations LGBTQ people Live performance Mac, Taylor Non-binary gender Pandemics Popular music Rituals Theater |
title | The Taylor Mac Book: Ritual, Realness and Radical Performance ed by David Román and Sean F. Edgecomb (review) |
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