Scripting the nation: Crisis celebrity, national treasures and welfare imaginaries in the pandemic

Throughout the COVID-19 pandemic, celebrities occupied a highly contested space within the popular and political imaginary. Whilst the mass suffering unleashed by the pandemic led some to herald the death of celebrity culture, many celebrities also took part in fundraising initiatives, public health...

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Bibliographic Details
Published in:The Sociological review (Keele) 2024-11, Vol.72 (6), p.1277-1297
Main Authors: Martin, Jessica, Allen, Kim
Format: Article
Language:English
Subjects:
Belonging
Celebrities
COVID-19
Crises
Deservingness
Discourse analysis
Fame
Fund raising
Health initiatives
Hegemony
National identity
Pandemics
Philanthropy
Public health
Television
Ventures
Welfare
Welfare recipients
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Summary:Throughout the COVID-19 pandemic, celebrities occupied a highly contested space within the popular and political imaginary. Whilst the mass suffering unleashed by the pandemic led some to herald the death of celebrity culture, many celebrities also took part in fundraising initiatives, public health campaigns and philanthropic ventures, with some taking on the status of ‘national treasure’. This article examines two such figures who gained particular luminosity as ‘Covid Heroes’ for their charitable and campaigning work during the pandemic: war veteran Sir Captain Tom Moore and footballer Marcus Rashford. Through a discourse analysis of UK national newspaper articles and television documentaries, we consider what ideological work these celebrities perform within times of heightened crisis. The article expands upon Chris Greer and Eugene McLaughlin’s theorisation of the ‘national treasure’ in a number of ways, considering how, in ushering forth particular ideas about the nation, these figures secure or contest contemporary welfare imaginaries. Identifying how Rashford and Moore play a crucial role in what Stuart Hall called ‘scripting a national story’ within the pandemic, the article highlights the significance of ‘crisis celebrity’ as a site of hegemonic struggle over national identity, welfare, deservingness and belonging.
ISSN:0038-0261
1467-954X
DOI:10.1177/00380261231165597