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Franz Radziwill's Vision of Joyful German Work: Painting, Social Identity, and Politics in the Weimar Republic
For Radziwill, a representative national structure to celebrate labour must be made by skilled labourers and craftsmen. There seems to have been no place in his conception for industrial production and the urban working class. Within his utopian perspective, the craftsmen and the cathedral were Radz...
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Published in: | Oxford art journal 2005-10, Vol.28 (3), p.295-319 |
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container_title | Oxford art journal |
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creator | van Dyke, James A. |
description | For Radziwill, a representative national structure to celebrate labour must be made by skilled labourers and craftsmen. There seems to have been no place in his conception for industrial production and the urban working class. Within his utopian perspective, the craftsmen and the cathedral were Radziwill's symbols of a new communal spirit, opposed to the corrupting, corrosive inroads of modern capitalist materialism. |
doi_str_mv | 10.1093/oxartj/kci030 |
format | article |
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source | ARTbibliographies Modern; International Bibliography of Art (IBA); Art & Architecture Source; Oxford Journals Online; JSTOR Archival Journals; Humanities Index |
title | Franz Radziwill's Vision of Joyful German Work: Painting, Social Identity, and Politics in the Weimar Republic |
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