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'Tales eran sus rostros': Silvina Ocampo and Norah Borges
This article explores the overlap in themes but divergence in aesthetic between the prose and poetry of Silvina Ocampo (1903-1993) and the art works of Norah Borges (1901-1998). The two women were friends and collaborators within the wider circle of writers and artists around Victoria Ocampo's...
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Published in: | Romance studies : a journal of the University of Wales 2009-01, Vol.27 (1), p.59-71 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that cite this one |
Online Access: | Get full text |
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Summary: | This article explores the overlap in themes but divergence in aesthetic between the prose and poetry of Silvina Ocampo (1903-1993) and the art works of Norah Borges (1901-1998). The two women were friends and collaborators within the wider circle of writers and artists around Victoria Ocampo's magazine Sur, and Norah Borges provided illustrations or covers for a number of Ocampo's books. Their differences in approach to shared key themes such as children, angels and sirens is explored particularly through reference to the representation of the face. |
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ISSN: | 0263-9904 1745-8153 |
DOI: | 10.1179/174581509X398028 |