Loading…
Hemispheric America in Deep Time
This article introduces hemispheric performance studies to suggest that performance in the Americas – and the very idea of the ‘hemispheric’ – may be usefully engaged as a set of connected practices in deep time rather than as a continental mass in uniform space. The argument is illustrated in relat...
Saved in:
Published in: | Theatre research international 2010-07, Vol.35 (2), p.111-125 |
---|---|
Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that this one cites Items that cite this one |
Online Access: | Get full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Summary: | This article introduces hemispheric performance studies to suggest that performance in the Americas – and the very idea of the ‘hemispheric’ – may be usefully engaged as a set of connected practices in deep time rather than as a continental mass in uniform space. The argument is illustrated in relation to three contemporary artists: the Los Angeles-based photographer and multimedia artist Bruce Yonemoto, and the visual and performance artists Susana Torres from Lima, Peru, and Liliana Angulo from Bogotá, Colombia. |
---|---|
ISSN: | 0307-8833 1474-0672 |
DOI: | 10.1017/S0307883310000039 |