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The performance of Palestrina: some further observations

O'Regan responds to two articles in the Nov 1994 issue of "Early Music," which raised questions of performance practice in 16th-century Rome. He re-examines one-per-part performance, solo singing with the organ, and whether the students at the German College sang polyphony.

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Bibliographic Details
Published in:Early music 1996-02, Vol.24 (1), p.144-154
Main Author: Regan, Noel O'
Format: Article
Language:English
Subjects:
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Summary:O'Regan responds to two articles in the Nov 1994 issue of "Early Music," which raised questions of performance practice in 16th-century Rome. He re-examines one-per-part performance, solo singing with the organ, and whether the students at the German College sang polyphony.
ISSN:0306-1078
1741-7260