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The performance of Palestrina: some further observations
O'Regan responds to two articles in the Nov 1994 issue of "Early Music," which raised questions of performance practice in 16th-century Rome. He re-examines one-per-part performance, solo singing with the organ, and whether the students at the German College sang polyphony.
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Published in: | Early music 1996-02, Vol.24 (1), p.144-154 |
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Main Author: | |
Format: | Article |
Language: | English |
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Online Access: | Get full text |
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Summary: | O'Regan responds to two articles in the Nov 1994 issue of "Early Music," which raised questions of performance practice in 16th-century Rome. He re-examines one-per-part performance, solo singing with the organ, and whether the students at the German College sang polyphony. |
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ISSN: | 0306-1078 1741-7260 |