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Phenomenology as a Tool for Aesthetic Education in the Multicultural College Classroom
The main point of this stage is that students learn to see and discuss the work of art in terms of the strictly formal properties that comprise its sensuous surface counters: no interpretation allowed! "8 The structural discipline imposed by the phenomenological method develops both the percept...
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Published in: | The Journal of aesthetic education 1998-04, Vol.32 (1), p.43-48 |
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Main Author: | |
Format: | Article |
Language: | English |
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Online Access: | Get full text |
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Summary: | The main point of this stage is that students learn to see and discuss the work of art in terms of the strictly formal properties that comprise its sensuous surface counters: no interpretation allowed! "8 The structural discipline imposed by the phenomenological method develops both the perceptive and cognitive abilities of students.9 In a discursively oriented classroom, the discipline of the method develops communication skills which further serve the goal of aesthetic education. In Teaching to Transgress: Education as the Practice of Freedom, bell hooks argues against the "'banking system of education where students are regarded as passive consumers," in favor of a more interactive and engaged style of transformative pedagogy which she describes as a "community of learning":11 Making the classroom a democratic setting where everyone feels a responsibility to contribute is a central goal of transformative pedagogy... Caring about whether all students fulfill their responsibility to contribute to learning in the classroom is not a common approach in what Paulo Freire has called "the banking system of education" where students are regarded merely as passive consumers.12 It is not enough simply to provide students with an "opportunity" to speak: in all classrooms (but especially in the multicultural classroom), this is a counterproductive attitude. |
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ISSN: | 0021-8510 1543-7809 |
DOI: | 10.2307/3333207 |