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Barbara Hepworth
[...]it might be read as an expression of out-and-out emotional conflict-the infant seems to demand propitiation as much as love. The exhibition's last gallery was the stage for the larger outdoor bronze sculptures she began producing in the late '50s, a period in which casting became a ne...
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Published in: | Artforum international 2015-11, Vol.54 (3), p.296 |
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Main Author: | |
Format: | Magazinearticle |
Language: | English |
Subjects: | |
Online Access: | Get full text |
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Summary: | [...]it might be read as an expression of out-and-out emotional conflict-the infant seems to demand propitiation as much as love. The exhibition's last gallery was the stage for the larger outdoor bronze sculptures she began producing in the late '50s, a period in which casting became a necessity for her, as it allowed her to keep up with the international demand for her art and for public-scale works. |
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ISSN: | 1086-7058 |