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In Plain Sight
The following studies of postwar French art are reviewed : (1) "The myth of nouveau réalisme : art and the performative in postwar France," by Kaira M. Cabañas (Yale University Press, 2013); and (2) "From a nation torn : decolonizing art and representation in France, 1945-1962,"...
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Published in: | Oxford art journal 2015-12, Vol.38 (3), p.440-444 |
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Language: | English |
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container_end_page | 444 |
container_issue | 3 |
container_start_page | 440 |
container_title | Oxford art journal |
container_volume | 38 |
creator | Sherman, Daniel J. |
description | The following studies of postwar French art are reviewed : (1) "The myth of nouveau réalisme : art and the performative in postwar France," by Kaira M. Cabañas (Yale University Press, 2013); and (2) "From a nation torn : decolonizing art and representation in France, 1945-1962," by Hannah Feldman (Duke University Press, 2014). |
doi_str_mv | 10.1093/oxartj/kcv018 |
format | article |
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identifier | ISSN: 0142-6540 |
ispartof | Oxford art journal, 2015-12, Vol.38 (3), p.440-444 |
issn | 0142-6540 1741-7287 |
language | eng |
recordid | cdi_proquest_miscellaneous_1763705545 |
source | EBSCOhost Art & Architecture Source - eBooks; JSTOR Archival Journals and Primary Sources Collection; International Bibliography of Art (IBA); Oxford Journals Online |
subjects | Reviews |
title | In Plain Sight |
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