Arts as a vehicle for community building and post-disaster development

Use of the arts in international aid is common in an ad hoc form, but it has not been systematically theorised or evaluated. The arts have the potential to be a culturally contextualised and sustainable intervention for adults and children in the aftermath of war or disaster. On the micro level, the...

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Bibliographic Details
Published in:Disasters 2016-04, Vol.40 (2), p.284-303
Main Authors: Huss, Ephrat, Kaufman, Roni, Avgar, Amos, Shuker, Eitan
Format: Article
Language:English
Subjects:
Adaptation, Psychological
Adult
Adults
Arts
arts in disaster intervention
arts-based research
Child
Children
Civil war
Coding
Communities
Crisis intervention
Cultural Characteristics
culturally sensitive disaster intervention
Disaster relief
Disasters
Foreign aid
Humanities
Humans
International aid
International Cooperation
Military intervention
Problem Solving
Relief Work
Reprocessing
Sri Lanka
Studies
Survivors - psychology
Survivors - statistics & numerical data
Sustainability
Tsunamis
Vehicles
Victims
Voice
War
Warfare
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Summary:Use of the arts in international aid is common in an ad hoc form, but it has not been systematically theorised or evaluated. The arts have the potential to be a culturally contextualised and sustainable intervention for adults and children in the aftermath of war or disaster. On the micro level, the arts are a method to enable the retrieval and reprocessing of traumatic memories that are often encoded in images rather than in words. On a macro level, they can help to reconstruct a group narrative of a disaster as well as mobilise people back into control of their lives. This paper researches a long‐term project using arts in Sri Lanka following the civil war and tsunami. A central finding is the need to understand arts within their cultural context, and their usefulness in strengthening the voices and problem‐solving capacities of the victims of the disaster.
ISSN:0361-3666
1467-7717
DOI:10.1111/disa.12143