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“That's cool, you’re a musician and you drink”: Exploring entertainers’ accounts of their unique workplace relationship with alcohol
Abstract This qualitative research investigates the alcohol experiences of entertainers who perform within licensed premises. Previous, mainly quantitative, studies have found that entertainers, specifically musicians, are an occupational group who drink excessively. This qualitative study draws on...
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Published in: | The International journal of drug policy 2016-10, Vol.36, p.85-94 |
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description | Abstract This qualitative research investigates the alcohol experiences of entertainers who perform within licensed premises. Previous, mainly quantitative, studies have found that entertainers, specifically musicians, are an occupational group who drink excessively. This qualitative study draws on a wider sample of entertainers to examine their accounts of drinking in the workplace and the explanations they provide for this. We conducted individual semi-structured interviews ( n = 24) with band-members, variety acts and DJs in Glasgow, Scotland. This revealed a workplace characterised by continual opportunities for often free alcohol consumption. Unlike most occupations, for entertainers ‘drinking-on-the-job’ was normative, expected, and sometimes encouraged by peers, the public, employers or sponsors. Entertainers also experienced performance-related incentives to drink before, during and/or after a show; including anxiety, matching their intoxication level to the audience's, and ‘reward-drinking’. This qualitative research confirms the unique nature of the entertainer-alcohol link, even in comparison to that found within other leisure industry occupations. While providing some explanation as to why entertainers might drink excessively, participants’ accounts also suggested potential strategies for avoiding the negative outcomes of workplace drinking. |
doi_str_mv | 10.1016/j.drugpo.2016.07.001 |
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Previous, mainly quantitative, studies have found that entertainers, specifically musicians, are an occupational group who drink excessively. This qualitative study draws on a wider sample of entertainers to examine their accounts of drinking in the workplace and the explanations they provide for this. We conducted individual semi-structured interviews ( n = 24) with band-members, variety acts and DJs in Glasgow, Scotland. This revealed a workplace characterised by continual opportunities for often free alcohol consumption. Unlike most occupations, for entertainers ‘drinking-on-the-job’ was normative, expected, and sometimes encouraged by peers, the public, employers or sponsors. Entertainers also experienced performance-related incentives to drink before, during and/or after a show; including anxiety, matching their intoxication level to the audience's, and ‘reward-drinking’. 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While providing some explanation as to why entertainers might drink excessively, participants’ accounts also suggested potential strategies for avoiding the negative outcomes of workplace drinking.</description><identifier>ISSN: 0955-3959</identifier><identifier>EISSN: 1873-4758</identifier><identifier>DOI: 10.1016/j.drugpo.2016.07.001</identifier><identifier>PMID: 27598722</identifier><language>eng</language><publisher>Netherlands: Elsevier B.V</publisher><subject>Accounts ; Adult ; Alcohol ; Alcohol Drinking - adverse effects ; Alcohol Drinking - prevention & control ; Alcohol Drinking - psychology ; Alcohol use ; Alcoholic Intoxication - prevention & control ; Alcoholic Intoxication - psychology ; Anxiety ; Beverage industry ; Consumption ; Drug policy ; Employers ; Entertainers ; Female ; Humans ; Incentives ; Internal Medicine ; Interviews as Topic ; Intoxication ; Job Description ; Leisure ; Leisure industry ; Licensed premises ; Male ; Marketing ; Media ; Medical Education ; Middle Aged ; Music ; Musicians ; Musicians & conductors ; Nightlife ; Occupations ; Peers ; Qualitative Research ; Quantitative analysis ; Risk Factors ; Scotland ; Structured interviews ; Workplace ; Workplace - psychology ; Workplaces ; Young Adult</subject><ispartof>The International journal of drug policy, 2016-10, Vol.36, p.85-94</ispartof><rights>Elsevier B.V.</rights><rights>2016 Elsevier B.V.</rights><rights>Copyright © 2016 Elsevier B.V. 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Previous, mainly quantitative, studies have found that entertainers, specifically musicians, are an occupational group who drink excessively. This qualitative study draws on a wider sample of entertainers to examine their accounts of drinking in the workplace and the explanations they provide for this. We conducted individual semi-structured interviews ( n = 24) with band-members, variety acts and DJs in Glasgow, Scotland. This revealed a workplace characterised by continual opportunities for often free alcohol consumption. Unlike most occupations, for entertainers ‘drinking-on-the-job’ was normative, expected, and sometimes encouraged by peers, the public, employers or sponsors. Entertainers also experienced performance-related incentives to drink before, during and/or after a show; including anxiety, matching their intoxication level to the audience's, and ‘reward-drinking’. This qualitative research confirms the unique nature of the entertainer-alcohol link, even in comparison to that found within other leisure industry occupations. While providing some explanation as to why entertainers might drink excessively, participants’ accounts also suggested potential strategies for avoiding the negative outcomes of workplace drinking.</description><subject>Accounts</subject><subject>Adult</subject><subject>Alcohol</subject><subject>Alcohol Drinking - adverse effects</subject><subject>Alcohol Drinking - prevention & control</subject><subject>Alcohol Drinking - psychology</subject><subject>Alcohol use</subject><subject>Alcoholic Intoxication - prevention & control</subject><subject>Alcoholic Intoxication - psychology</subject><subject>Anxiety</subject><subject>Beverage industry</subject><subject>Consumption</subject><subject>Drug policy</subject><subject>Employers</subject><subject>Entertainers</subject><subject>Female</subject><subject>Humans</subject><subject>Incentives</subject><subject>Internal Medicine</subject><subject>Interviews as Topic</subject><subject>Intoxication</subject><subject>Job Description</subject><subject>Leisure</subject><subject>Leisure industry</subject><subject>Licensed premises</subject><subject>Male</subject><subject>Marketing</subject><subject>Media</subject><subject>Medical Education</subject><subject>Middle Aged</subject><subject>Music</subject><subject>Musicians</subject><subject>Musicians & conductors</subject><subject>Nightlife</subject><subject>Occupations</subject><subject>Peers</subject><subject>Qualitative Research</subject><subject>Quantitative analysis</subject><subject>Risk Factors</subject><subject>Scotland</subject><subject>Structured interviews</subject><subject>Workplace</subject><subject>Workplace - psychology</subject><subject>Workplaces</subject><subject>Young Adult</subject><issn>0955-3959</issn><issn>1873-4758</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2016</creationdate><recordtype>article</recordtype><sourceid>7QJ</sourceid><sourceid>7TQ</sourceid><sourceid>8BJ</sourceid><recordid>eNqFks1u1DAQxyMEokvhDRCyxAEOJNjOh2MOSFVVPqRKHCgSN8uxJ13veu3UTmj3tg_ACyDBy-2T4GgLSL1wsmb8-8-M_Z8se0pwQTBpXq8KHabLwRc0RQVmBcbkXrYgLSvzitXt_WyBeV3nJa_5UfYoxhXGuCIVeZgdUVbzllG6yL7vdz8vlnJ8EZHy3r5CWz_tdz8CIIk2UzTKSIek03Me6WDcer_79Qad3QzWp-gSgRshjNI4CDEJkVTKT26MyPdoXIIJaHLmagJ07cN6sFIBCmDlaLyLSzOgazMukbTKL719nD3opY3w5PY8zr68O7s4_ZCff3r_8fTkPFcVJ2NOe93XmlAGTFUd7XrOGeOk6ilVXUs7inlDu7JNd5ppKbsGGKRk1zcggVflcfbyUHcIPo0WR7ExUYG10oGfoiAtLTlueVkm9PkddOWn4NJ0M9WUnCUwUdWBUsHHGKAXQzAbGbaCYDG7JVbi4JaY3RKYieRWkj27LT51G9B_RX_sScDbAwDpN74ZCCIqA06BNgHUKLQ3_-twt4Cyxhkl7Rq2EP-9RUQqsPg8b8y8MKQpMSXN1_I3h97DDw</recordid><startdate>20161001</startdate><enddate>20161001</enddate><creator>Forsyth, Alasdair J.M</creator><creator>Lennox, Jemma C</creator><creator>Emslie, Carol</creator><general>Elsevier B.V</general><general>Elsevier Science Ltd</general><scope>CGR</scope><scope>CUY</scope><scope>CVF</scope><scope>ECM</scope><scope>EIF</scope><scope>NPM</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>7QJ</scope><scope>7TQ</scope><scope>8BJ</scope><scope>DHY</scope><scope>DON</scope><scope>FQK</scope><scope>JBE</scope><scope>7X8</scope></search><sort><creationdate>20161001</creationdate><title>“That's cool, you’re a musician and you drink”: Exploring entertainers’ accounts of their unique workplace relationship with alcohol</title><author>Forsyth, Alasdair J.M ; 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source | Applied Social Sciences Index & Abstracts (ASSIA); International Bibliography of the Social Sciences (IBSS); Elsevier; PAIS Index |
subjects | Accounts Adult Alcohol Alcohol Drinking - adverse effects Alcohol Drinking - prevention & control Alcohol Drinking - psychology Alcohol use Alcoholic Intoxication - prevention & control Alcoholic Intoxication - psychology Anxiety Beverage industry Consumption Drug policy Employers Entertainers Female Humans Incentives Internal Medicine Interviews as Topic Intoxication Job Description Leisure Leisure industry Licensed premises Male Marketing Media Medical Education Middle Aged Music Musicians Musicians & conductors Nightlife Occupations Peers Qualitative Research Quantitative analysis Risk Factors Scotland Structured interviews Workplace Workplace - psychology Workplaces Young Adult |
title | “That's cool, you’re a musician and you drink”: Exploring entertainers’ accounts of their unique workplace relationship with alcohol |
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