The Immersive: Stagecraft to Urbanism

Alongside their architectural practice in Cambridge, Massachusetts, Simon Kim and Mariana Ibañez also run a multidisciplinary research lab. The ideology driving its work is ‘The Immersive’ – a notion of reconfigurable, encompassing environments created through a synthesis of science, arts and humani...

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Bibliographic Details
Published in:Architectural design , Vol.87 (4), p.60-65
Main Authors: Kim, Simon, Ibañez, Mariana
Format: Article
Language:English
Subjects:
A Cyborg Manifesto
Architecture
Billie Tsien
Carbon Dance Theatre
carbon fibre reinforced polymer (CFRP)
Christ Church Theatre
CKBots
Così Fan Tutte
Diller + Scofidio
Donna Haraway
German Bauhaus
Ibañez Kim
Ideology
Immersive Kinematics
kirigami folds
Le Corbusier
London's Architectural Association
Marcel Williams Foster
Mark Yim
Meredith Rainey
Metapolis II
Modular Robotics Laboratory (ModLab)
Moving Target
Multidisciplinary research
Pennsylvania Ballet
Philadelphia
PolyHouse project
RolyPolygon Confessional series
Science per Forms
Temple University
The Immersive
The World Upside Down
Tod Williams
Tyler School of Art
Urbanism
Zaha Hadid Architects
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Summary:Alongside their architectural practice in Cambridge, Massachusetts, Simon Kim and Mariana Ibañez also run a multidisciplinary research lab. The ideology driving its work is ‘The Immersive’ – a notion of reconfigurable, encompassing environments created through a synthesis of science, arts and humanities. They explain their motivations and outline three manifesto projects, ranging in scale from the body to the urban.
ISSN:0003-8504
1554-2769
DOI:10.1002/ad.2196