Loading…

Onstage and Offstage: Dance of the Brokpa

The Brokpa's traditional dance provokes different reactions at different venues and under different circumstances. The children constantly nag the havildar handling the sound system to play Bollywood songs; with only three hours of electricity a day, seldom do they get to dance to music on loud...

Full description

Saved in:
Bibliographic Details
Published in:Economic and political weekly 2018-08, Vol.53 (31), p.109-110
Main Author: BHAGABATI, DIKSHIT SARMA
Format: Article
Language:English
Subjects:
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
cited_by
cites
container_end_page 110
container_issue 31
container_start_page 109
container_title Economic and political weekly
container_volume 53
creator BHAGABATI, DIKSHIT SARMA
description The Brokpa's traditional dance provokes different reactions at different venues and under different circumstances. The children constantly nag the havildar handling the sound system to play Bollywood songs; with only three hours of electricity a day, seldom do they get to dance to music on loudspeakers. When such an art form is transported to an alien platform, like the Brokpas to the WEC, it is sanitised and loses itself in order to serve a commercial end.
format article
fullrecord <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_miscellaneous_2138072221</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A548842672</galeid><jstor_id>26700496</jstor_id><sourcerecordid>A548842672</sourcerecordid><originalsourceid>FETCH-LOGICAL-g201t-ae318da19964022e6e279c49fda87213cb2b3821bc14fc0d7bd59dd4c734bbc83</originalsourceid><addsrcrecordid>eNpVkEtLAzEUhYMoWKs_QZilgiN5dZK4q_UJhW50PeQ5TZ0m4ySz8N8brAvlwj3ce79zFvcIzDChouacNsdgBiHCtRCsOQVnKe0gJJjwxQxcb0LKsrOVDKbaOPcz3FUPMmhbRVflra3ux_gxyHNw4mSf7MWvzsH70-Pb6qVeb55fV8t13WGIci0tQdxIJERDIca2sZgJTYUzkjOMiFZYEY6R0og6DQ1TZiGMoZoRqpTmZA6uDrnDGD8nm3K790nbvpfBxim1JYNDhnHRObg9oJ3sbeuDi3mUupSxe69jsM6X_XJByxNww3Ax3PwxqCn5YFNpyXfbnDo5pfQfvzzgu5Tj2A6j38vxqy03CKloyDdSGWe5</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2138072221</pqid></control><display><type>article</type><title>Onstage and Offstage: Dance of the Brokpa</title><source>ABI/INFORM Global</source><creator>BHAGABATI, DIKSHIT SARMA</creator><creatorcontrib>BHAGABATI, DIKSHIT SARMA</creatorcontrib><description>The Brokpa's traditional dance provokes different reactions at different venues and under different circumstances. The children constantly nag the havildar handling the sound system to play Bollywood songs; with only three hours of electricity a day, seldom do they get to dance to music on loudspeakers. When such an art form is transported to an alien platform, like the Brokpas to the WEC, it is sanitised and loses itself in order to serve a commercial end.</description><identifier>ISSN: 0012-9976</identifier><identifier>EISSN: 2349-8846</identifier><language>eng</language><publisher>Mumbai: SAMEEKSHA TRUST</publisher><subject>Bollywood films ; Dance ; Guevara, Ernesto (1928-1967) ; Headgear ; POSTSCRIPT</subject><ispartof>Economic and political weekly, 2018-08, Vol.53 (31), p.109-110</ispartof><rights>COPYRIGHT 2018 Athena Information Solutions Pvt. Ltd.</rights><rights>Copyright 2018 Economic and Political Weekly, distributed by Contify.com</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://www.proquest.com/docview/2138072221?pq-origsite=primo$$EHTML$$P50$$Gproquest$$H</linktohtml><link.rule.ids>314,780,784,13503,36061,44363</link.rule.ids></links><search><creatorcontrib>BHAGABATI, DIKSHIT SARMA</creatorcontrib><title>Onstage and Offstage: Dance of the Brokpa</title><title>Economic and political weekly</title><description>The Brokpa's traditional dance provokes different reactions at different venues and under different circumstances. The children constantly nag the havildar handling the sound system to play Bollywood songs; with only three hours of electricity a day, seldom do they get to dance to music on loudspeakers. When such an art form is transported to an alien platform, like the Brokpas to the WEC, it is sanitised and loses itself in order to serve a commercial end.</description><subject>Bollywood films</subject><subject>Dance</subject><subject>Guevara, Ernesto (1928-1967)</subject><subject>Headgear</subject><subject>POSTSCRIPT</subject><issn>0012-9976</issn><issn>2349-8846</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2018</creationdate><recordtype>article</recordtype><sourceid>M0C</sourceid><recordid>eNpVkEtLAzEUhYMoWKs_QZilgiN5dZK4q_UJhW50PeQ5TZ0m4ySz8N8brAvlwj3ce79zFvcIzDChouacNsdgBiHCtRCsOQVnKe0gJJjwxQxcb0LKsrOVDKbaOPcz3FUPMmhbRVflra3ux_gxyHNw4mSf7MWvzsH70-Pb6qVeb55fV8t13WGIci0tQdxIJERDIca2sZgJTYUzkjOMiFZYEY6R0og6DQ1TZiGMoZoRqpTmZA6uDrnDGD8nm3K790nbvpfBxim1JYNDhnHRObg9oJ3sbeuDi3mUupSxe69jsM6X_XJByxNww3Ax3PwxqCn5YFNpyXfbnDo5pfQfvzzgu5Tj2A6j38vxqy03CKloyDdSGWe5</recordid><startdate>20180804</startdate><enddate>20180804</enddate><creator>BHAGABATI, DIKSHIT SARMA</creator><general>SAMEEKSHA TRUST</general><general>Athena Information Solutions Pvt. Ltd</general><scope>N95</scope><scope>XI7</scope><scope>04Q</scope><scope>04S</scope><scope>04U</scope><scope>04X</scope><scope>3V.</scope><scope>7WY</scope><scope>7WZ</scope><scope>7XB</scope><scope>87Z</scope><scope>8FK</scope><scope>8FL</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>BENPR</scope><scope>BEZIV</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>FRNLG</scope><scope>F~G</scope><scope>K60</scope><scope>K6~</scope><scope>L.-</scope><scope>M0C</scope><scope>PQBIZ</scope><scope>PQBZA</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope></search><sort><creationdate>20180804</creationdate><title>Onstage and Offstage: Dance of the Brokpa</title><author>BHAGABATI, DIKSHIT SARMA</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-g201t-ae318da19964022e6e279c49fda87213cb2b3821bc14fc0d7bd59dd4c734bbc83</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2018</creationdate><topic>Bollywood films</topic><topic>Dance</topic><topic>Guevara, Ernesto (1928-1967)</topic><topic>Headgear</topic><topic>POSTSCRIPT</topic><toplevel>online_resources</toplevel><creatorcontrib>BHAGABATI, DIKSHIT SARMA</creatorcontrib><collection>Gale_Business Insights: Global</collection><collection>Business Insights: Essentials</collection><collection>India Database</collection><collection>India Database: Business</collection><collection>India Database: History</collection><collection>India Database: Social Sciences</collection><collection>ProQuest Central (Corporate)</collection><collection>ProQuest_ABI/INFORM Collection</collection><collection>ABI/INFORM Global (PDF only)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ABI/INFORM Collection</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>ABI/INFORM Collection (Alumni Edition)</collection><collection>ProQuest Central (Alumni)</collection><collection>ProQuest Central</collection><collection>AUTh Library subscriptions: ProQuest Central</collection><collection>Business Premium Collection</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central</collection><collection>Business Premium Collection (Alumni)</collection><collection>ABI/INFORM Global (Corporate)</collection><collection>ProQuest Business Collection (Alumni Edition)</collection><collection>ProQuest Business Collection</collection><collection>ABI/INFORM Professional Advanced</collection><collection>ABI/INFORM Global</collection><collection>One Business (ProQuest)</collection><collection>ProQuest One Business (Alumni)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection><jtitle>Economic and political weekly</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>BHAGABATI, DIKSHIT SARMA</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Onstage and Offstage: Dance of the Brokpa</atitle><jtitle>Economic and political weekly</jtitle><date>2018-08-04</date><risdate>2018</risdate><volume>53</volume><issue>31</issue><spage>109</spage><epage>110</epage><pages>109-110</pages><issn>0012-9976</issn><eissn>2349-8846</eissn><abstract>The Brokpa's traditional dance provokes different reactions at different venues and under different circumstances. The children constantly nag the havildar handling the sound system to play Bollywood songs; with only three hours of electricity a day, seldom do they get to dance to music on loudspeakers. When such an art form is transported to an alien platform, like the Brokpas to the WEC, it is sanitised and loses itself in order to serve a commercial end.</abstract><cop>Mumbai</cop><pub>SAMEEKSHA TRUST</pub><tpages>2</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0012-9976
ispartof Economic and political weekly, 2018-08, Vol.53 (31), p.109-110
issn 0012-9976
2349-8846
language eng
recordid cdi_proquest_miscellaneous_2138072221
source ABI/INFORM Global
subjects Bollywood films
Dance
Guevara, Ernesto (1928-1967)
Headgear
POSTSCRIPT
title Onstage and Offstage: Dance of the Brokpa
url http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-07T13%3A56%3A19IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Onstage%20and%20Offstage:%20Dance%20of%20the%20Brokpa&rft.jtitle=Economic%20and%20political%20weekly&rft.au=BHAGABATI,%20DIKSHIT%20SARMA&rft.date=2018-08-04&rft.volume=53&rft.issue=31&rft.spage=109&rft.epage=110&rft.pages=109-110&rft.issn=0012-9976&rft.eissn=2349-8846&rft_id=info:doi/&rft_dat=%3Cgale_proqu%3EA548842672%3C/gale_proqu%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-g201t-ae318da19964022e6e279c49fda87213cb2b3821bc14fc0d7bd59dd4c734bbc83%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=2138072221&rft_id=info:pmid/&rft_galeid=A548842672&rft_jstor_id=26700496&rfr_iscdi=true