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Return of the Secaucus 7
The film treats these tensions in the same manner as it treats tension over politics or class or style: with tolerance and generosity, and an amused appreciation of the quirks and ironies that occur when disparate personalities mesh. Starting also with a collective subject, Tanner introduces major c...
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Published in: | Cinéaste (New York, N.Y.) N.Y.), 1980-10, Vol.10 (4), p.32-34 |
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Format: | Magazinearticle |
Language: | English |
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container_end_page | 34 |
container_issue | 4 |
container_start_page | 32 |
container_title | Cinéaste (New York, N.Y.) |
container_volume | 10 |
creator | Glauberman, Naomi Fonda-Bonardi, Claudia |
description | The film treats these tensions in the same manner as it treats tension over politics or class or style: with tolerance and generosity, and an amused appreciation of the quirks and ironies that occur when disparate personalities mesh. Starting also with a collective subject, Tanner introduces major characters in full scenes of dramatic action to show their work, politics, ambitions, and frustrations. |
format | magazinearticle |
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fulltext | fulltext |
identifier | ISSN: 0009-7004 |
ispartof | Cinéaste (New York, N.Y.), 1980-10, Vol.10 (4), p.32-34 |
issn | 0009-7004 |
language | eng |
recordid | cdi_proquest_miscellaneous_222654275 |
source | JSTOR Archival Journals and Primary Sources Collection; ProQuest One Literature |
subjects | Childrens novels Film Reviews Motion picture directors & producers Nonfiction Politics Rock music Sayles, John (1950- ) |
title | Return of the Secaucus 7 |
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